From Paper-mill to PressroomWheelwright, William Bond
Philosophy
From Paper-mill to Pressroom
Wheelwright, William Bond
Papermaking
When feeding such sheets to a cylinder press, much trouble may arise
if the waves occur along the “gripper edge,” which is usually on the
longer dimension of the sheet. In some instances the difficulty may
be avoided by ordering paper with the grain running the long way of
the sheet, which also offers another advantage in relation to securing
close register, namely this: the area of the sheet in square inches
will increase least through atmospheric expansion which occurs across
the grain if the cross-grain dimension is the lesser.
[Illustration: SUPERCALENDER STACKS, APPLETON COATED PAPER CO.
For a description of the Supercalendering process, see pages 55 and
56.]
CHAPTER NINE
APPRAISING AND TESTING PAPER
The appraisal of a specimen of paper differs from testing in that
an appraisal comprehends the value of an object in relation to its
usefulness and marketability, whereas testing is merely an arbitrary
method of expressing the chemical or physical properties of the
object. The knack of appraising can be acquired only through practical
experience; and the ability to make tests is gained only by careful
technical training.
In the majority of cases a satisfactory appraisal may be given without
chemical or physical tests, but these are cases when the superficial
characteristics, such as color, finish, feel, etc., are the prime
qualifications, and such considerations as fiber contents, freedom from
impurities, exact tensile strength etc., are of negligible importance.
Although experience, only, leads to the knack of appraising paper,
certain points might be suggested with benefit to the beginner which
would assist him to an earlier acquirement of the art.
COLOR.--Color being a purely relative term as applied to the variations
in so-called “white” papers, it is necessary to make comparisons
with accepted standards of the various grades in order to arrive at
conclusions.
In common parlance, white papers may be described as natural, light
natural, white, blue-white, pink-white. Natural papers are those
in which a minimum of artificial coloring has been added, and the
brilliancy of shade depends entirely upon the quality of the stock.
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