From Place to PlaceCobb, Irvin S. (Irvin Shrewsbury)
General
From Place to Place
Cobb, Irvin S. (Irvin Shrewsbury)
Fiction; Short stories
Ready as he was when occasion suited, to justify his avocation in the
terms of that same explanation which he had given to the young reporter
from St. Louis that time, and greatly though he may have craved to gain
the good-will of his fellow citizens, he was never known openly to rebel
against his lot. The nearest he ever came to doing this was once when he
met upon the street a woman of his acquaintance who had suffered a
recent bereavement in the death of her only daughter. He approached her,
offering awkward condolences, and at once was moved to a further
expression of his sympathy for her in her great loss by trying to shake
her hand. At the touch of his fingers to hers the woman, already in a
mood of grief bordering on hysteria, shrank back screaming out that his
hand smelled of the soap with which he coated his gallows-nooses. She
ran away from him, crying out as she ran, that he was accursed; that he
was marked with that awful smell and could not rid himself of it. To
those who had witnessed this scene the hangman, with rather an injured
and bewildered air, made explanation. The poor woman, he said, was
wrong; although in a way of speaking she was right, too. He did, indeed,
use the same yellow bar soap for washing his hands that he used for
anointing his ropes. It was a good soap, and cheap; he had used the same
brand regularly for years in cleansing his hands. Since it answered the
first purpose so well, what possible harm could there be in slicking the
noose of the rope with it when he was called upon to conduct one of his
jobs over up at the prison? Apparently he was at a loss to fathom the
looks they cast at him when he had finished with this statement and had
asked this question. He began a protest, but broke off quickly and went
away shaking his head as though puzzled that ordinarily sane folks
should be so squeamish and so unreasonable. But he kept on using the
soap as before.
* * * * *
Until now this narrative has been largely preamble. The real story
follows. It concerns itself with the birth of an imagination.
Public-domain text, read in full here on John Shaqi.
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