From Pole to Pole: A Book for Young PeopleHedin, Sven Anders
General
From Pole to Pole: A Book for Young People
Hedin, Sven Anders
Geography -- Juvenile literature; Voyages and travels -- Juvenile literature
In order to forget her vexation she decides to go over to the great
bazaar in Stambul. The slave envelops her in a voluminous _kaftan_[2]
in which her white hands with yellow-stained nails disappear among the
folds. She slips into her shoes, which are like slippers with turned-up
points, and puts on the most important garment of all--the veil. Its
upper part covers the head and the forehead down to the eyebrows, while
the lower part hangs down over the chin, mouth, and part of the nose. A
woman does not show her face to any man but her husband. Of late years
many women transgress this rule and let the lower part of the veil fall
so low that most of the face is seen. Fatima, however, does not go with
the new fashion. She shows only her eyes, but her glances are enough to
let the man in the street perceive that she is beautiful. None of them
is so impertinent as to look at her or speak to her. Only Europeans she
meets turn round.
The slave does not go with her. She stops at the quay where the
_caiques_, or long rowing-boats, lie. The boatmen rise and scream
together. Each one extols with words and gestures the excellences of his
boat. She makes her choice, and steps in and sits down on the cushions.
The _caique_ is narrow and sharp as a canoe, painted white, with a gold
border on the gunwale. Two powerful men take their oars, and the
_caique_ darts over the blue waters of the Bosporus. Half-way between
Scutari and Stambul, Fatima looks eagerly down the Sea of Marmora. She
longs for an hour of freedom, and orders the boatmen to change the
direction. The wind is fresh, so they pull in their oars and hoist the
sail, and the boat glides southward at a rapid pace. But Fatima is
capricious, and is soon tired of the Sea of Marmora, and orders the men
to steer to the nearest quay in Stambul. She gives them two silver
coins, which they take without a word of thanks or civility. She hastens
up to the great bazaar and steps from the hot sunlight of the streets
into cool shade and gloom.
For the bazaars are like tunnels. They are streets and lanes covered
with vaults of stone, where daylight penetrates sparingly through the
cupolas in the roof. Here the heat of summer is not felt, and you can
walk dry-shod on stormy and rainy days. You are soon accustomed to the
darkness, but have great difficulty in finding the way unless you have
been born in Stambul and have often passed through this labyrinth. The
passages are quite narrow, but yet wide enough to allow _droshkies_[3]
and carts to pass through.
Public-domain text, read in full here on John Shaqi.
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