From Ritual to RomanceWeston, Jessie L. (Jessie Laidlay)
Religion
From Ritual to Romance
Weston, Jessie L. (Jessie Laidlay)
Grail -- Legends -- History and criticism; Romances -- History and criticism
[9] What we have been able to ascertain of the Sumerian-Babylonian
religion points to it rather as a religion of mourning and
supplication, than of joy and thanksgiving. The people seem to have
been in perpetual dread of their gods, who require to be appeased by
continual acts of humiliation. Thus the 9th, 15th, 19th, 28th, and 29th
of the month were all days of sack-cloth and ashes, days of wailing;
the 19th especially was ‘the day of the wrath of Gulu.’
[10] Cf. Langdon, _op. cit_. p. 24.
[11] Cf. Langdon, _op. cit_. p. 26.
[12] The most complete enquiry into the nature of the god is to be
found in Baudissin, _Adonis und Esmun_. For the details of the cult cf.
Farnell, _Cults of the Greek States_, Vol. II.; Vellay, _Adonis_
(_Annales du Musée Guimet_). For the Folk-lore evidence cf. Mannhardt,
_Wald un Feld-Kulte;_ Frazer, _The Golden Bough_, and _Adonis, Attis
and Osiris_. These remarks apply also to the kindred cult of Attis,
which as we shall see later forms an important link in our chain of
evidence. The two cults are practically identical and scholars are
frequently at a loss to which group surviving fragments of the ritual
should be assigned.
[13] In this connection note the extremely instructive remarks of Miss
Harrison in the chapter on Herakles in the work referred to above. She
points out that the _Eniautos Daimon_ never becomes entirely and
Olympian, but always retains traces of his ‘Earth’ origin. This
principle is particularly well illustrated by Adonis, who, though,
admitted to Olympus as the lover of Aphrodite, is yet by this very
nature forced to return to the earth, and descend to the realm of
Persephone. This agrees well with the conclusion reached by Baudissin
(_Adonis und Esmun_, p. 71) that Adonis belongs to “einer Klasse von
Wesen sehr unbestimmter Art, die wohl über den Menschen aber unter den
grossen Göttern stehen.”
[14] Cf. Vellay, _op. cit_. p. 93. Dulaure, _Des Divinités
Génératrices_. If Baudissin is correct, and the introduction of the
Boar a later addition to the story, it would seem to indicate the
intrusion of a phallic element into ritual which at first, like that of
Tammuz, dealt merely with the death of the god. The Attis form, on the
contrary, appears to have been phallic from the first. Cf. Baudissin,
_Adonis und Esmun_, p. 160.
[15] _Op. cit_. p. 83.
[16] Cf. L. von Schroeder, _Vollendung den Arischen Mysterium_, p. 14.
[17] It may be well to explain the exact meaning attached to these
terms by the author. In Professor von Schroeder’s view _Mysterium_ may
be held to connote a drama in which the gods themselves are actors;
_Mimus_ on the contrary, is the term applied to a drama which treats of
the doings of mortals.
[18] _Op. cit_. Vol. II. p. 647.
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