From Ritual to RomanceWeston, Jessie L. (Jessie Laidlay)
Religion
From Ritual to Romance
Weston, Jessie L. (Jessie Laidlay)
Grail -- Legends -- History and criticism; Romances -- History and criticism
Mr Stephen Langdon inclines to believe that the original Tammuz
typified the vivifying waters; he writes: “Since, in Babylonia as in
Egypt, the fertility of the soil depended upon irrigation, it is but
natural to expect that the youthful god who represents the birth and
death of nature, would represent the beneficent waters which flooded
the valleys of the Tigris and Euphrates in the late winter, and which
ebbed away, and nearly disappeared, in the canals and rivers in the
period of Summer drought. We find therefore that the theologians
regarded this youthful divinity as belonging to the cult of Eridu,
centre of the worship of Ea, lord of the nether sea.”[5] In a note to
this passage Mr Langdon adds: “He appears in the great theological list
as _Dami-zi, ab-zu_, ‘Tammuz of the nether sea,’ _i.e._, ‘the faithful
son of the fresh waters which come from the earth.’”[6]
This presents us with an interesting analogy to the citations given in
the previous chapter from the _Rig-Veda;_ the Tammuz cult is specially
valuable as providing us with evidence of the gradual evolution of the
Life Cult from the early conception of the vivifying power of the
waters, to the wider recognition of a common principle underlying all
manifestations of Life.
This is very clearly brought out in the beautiful Lament for Tammuz,
published by Mr Langdon in _Tammuz and Ishtar_, and also in _Sumerian
and Babylonian Psalms_.[7]
“In Eanna, high and low, there is weeping,
Wailing for the house of the lord they raise.
The wailing is for the plants; the first lament is ‘they grow not.’
The wailing is for the barley; the ears grow not.
For the habitations and flocks it is; they produce not.
For the perishing wedded ones, for perishing children it is; the
dark-headed people create not.
The wailing is for the great river; it brings the flood no more.
The wailing is for the fields of men; the gunu grows no more.
The wailing is for the fish-ponds; the dasuhur fish spawn not.
The wailing is for the cane-brake; the fallen stalks grow not.
The wailing is for the forests; the tamarisks grow not.
The wailing is for the highlands; the masgam trees grow not.
The wailing is for the garden store-house; honey and wine are produced
not.
The wailing is for the meadows; the bounty of the garden, the sihtu
plants grow not.
The wailing is for the palace; life unto distant days is not.”
Can anything be more expressive of the community of life animating the
whole of Nature than this poignantly worded lament?
A point which differentiates the worship of Tammuz from the kindred,
and better known, cult of Adonis, is the fact that we have no
liturgical record of the celebration of the resurrection of the deity;
it certainly took place, for the effects are referred to:
“Where grass was not, there grass is eaten,
Where water was not, water is drunk,
Where the cattle sheds were not, cattle sheds are built.”[8]
Public-domain text, read in full here on John Shaqi.
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