From Ritual to RomanceWeston, Jessie L. (Jessie Laidlay)
Religion
From Ritual to Romance
Weston, Jessie L. (Jessie Laidlay)
Grail -- Legends -- History and criticism; Romances -- History and criticism
In my opinion the key to the puzzle is to be found in the rightful
understanding of the _Fish-Fisher_ symbolism. Students of the Grail
literature have been too prone to treat the question on the Christian
basis alone, oblivious of the fact that Christianity did no more than
take over, and adapt to its own use, a symbolism already endowed with a
deeply rooted prestige and importance.
So far the subject cannot be said to have received adequate treatment;
certain of its aspects have been more or less fully discussed in
monographs and isolated articles, but we still await a comprehensive
study on this most important question.[27]
So far as the present state of our knowledge goes we can affirm with
certainty that the Fish is a Life symbol of immemorial antiquity, and
that the title of Fisher has, from the earliest ages, been associated
with Deities who were held to be specially connected with the origin
and preservation of Life.
In Indian cosmogony Manu finds a little fish in the water in which he
would wash his hands; it asks, and receives, his protection, asserting
that when grown to full size it will save Manu from the universal
deluge. This is Jhasa, the greatest of all fish.[28]
The first Avatar of Vishnu the Creator is a Fish. At the great feast in
honour of this god, held on the twelfth day of the first month of the
Indian year, Vishnu is represented under the form of a golden Fish, and
addressed in the following terms: “Wie Du, O Gott, in Gestalt eines
Fisches die in der Unterwelt befindlichen Veden gerettet hast, so rette
auch mich.”[29] The Fish Avatar was afterwards transferred to Buddha.
In Buddhist religion the symbols of the Fish and Fisher are freely
employed. Thus in Buddhist monasteries we find drums and gongs in the
shape of a fish, but the true meaning of the symbol, while still
regarded as sacred, has been lost, and the explanations, like the
explanations of the Grail romances, are often fantastic afterthoughts.
In the Māhāyana scriptures Buddha is referred to as the Fisherman who
draws fish from the ocean of Samsara to the light of Salvation. There
are figures and pictures which represent Buddha in the act of fishing,
an attitude which, unless interpreted in a symbolic sense, would be
utterly at variance with the tenets of the Buddhist religion.[30]
This also holds good for Chinese Buddhism. The goddess Kwanyin
(=Avalokitesvara), the female Deity of Mercy and Salvation, is depicted
either on, or holding, a Fish. In the Han palace of Kun-Ming-Ch’ih
there was a Fish carved in jade to which in time of drought sacrifices
were offered, the prayers being always answered.
Public-domain text, read in full here on John Shaqi.
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