Trash? Upon the whole is not the trash the truest history? perhaps not the most valuable, but the most real? If you want contemporary color, contemporary atmosphere, you must seek it among the impressions which can be obtained only from those who have lived a life amid particular surroundings, which they breathe and which colors them--dyes them in the wool. However skilless, they cannot help reproducing, any more than water poured from an old ink-bottle can help coming out more or less black; although, if sufficiently pretentious, they can monstrously caricature, especially if they begin with the modest time-worn admission that they are more familiar with the marling-spike than with the pen. But even the caricature born of pretentiousness will not prevent the unpremeditated betrayal of conditions, facts, and incidents, which help reconstruct the _milieu_; how much more, then, the unaffected simplicity of the born story-teller. I do not know how Froissart ranks as an authority with historians. I have not read him for years; and my recollections are chiefly those of childhood, with all the remoteness and all the vividness which memory preserves from early impressions. I think I now might find him wearisome; not so in boyhood. He was to me then, and seems to me now, a glorified Flexible Grommet or Jonathan Oldjunk; ranking, as to them, as Boswell does towards the common people of biography. That there are many solid chunks of useful information to be dug out of him I am sure; that his stories are all true, I have no desire to question; but what among it all is so instructive, so entertaining, as the point of view of himself, his heroes, and his colloquists--the particular contemporary modification of universal human nature in which he lived, and moved, and had his being? If such a man has the genius of his business, as had Froissart and Boswell, he excels in proportion to his unconsciousness of the fact; his colors run truer. For lesser gobblers, who have not genius, the best way to lose consciousness is just to let themselves go; if they endeavor to paint artistically the muddle will be worse. To such the proverb of the cobbler and his last is of perennial warning. As a barber once sagely remarked to me, "You can't trim a beard well, unless you're born to it." It is possible in some degree to imitate Froissart and Boswell in that marvellous diligence to accumulate material which was common to them both; but, when gathered, how impossible it is to work up that old junk into permanent engrossing interest let those answer who have grappled with ancient chronicles, or with many biographies. So, with a circumlocution which probably convicts me in advance of decisive deficiency as a narrator, I let myself go. I have no model, unless it be the old man sitting in the sun on a summer's day, bringing forth out of his memories things new and old--mostly old. A. T. MAHAN. INTRODUCING MYSELF