Each man in this land who has any claims to respectability walks armed, carrying his tulwar sheathed in his hand, or hung by a short sling of cotton passing over the shoulder, under his left armpit. His matchlock, or smooth-bore, if he has one, is borne naked on the shoulder. Now it is possible to carry any number of lethal weapons without being actually dangerous. An unhandy revolver, for instance, may be worn for years, and, at the end, accomplish nothing more noteworthy than the murder of its owner. But the Rajput's weapons are not meant for display. The Englishman caught a camel-driver who talked to him in Mewari, which is a heathenish dialect, something like Multani to listen to; and the man, very gracefully and courteously, handed him his sword and matchlock, the latter a heavy stump-stock arrangement without pretence of sights. The blade was as sharp as a razor, and the gun in perfect working order. The coiled fuse on the stock was charred at the end, and the curled ram's-horn powder-horn opened as readily as a much-handled whisky-flask. Unfortunately, ignorance of Mewari prevented conversation; so the camel-driver resumed his accoutrements and jogged forward on his beast--a superb black one, with the short curled _hubshee_ hair--while the Englishman went to the city, which is built on hills on the borders of the lake. By the way, everything in Udaipur is built on a hill. There is no level ground in the place, except the Durbar Gardens, of which more hereafter. Because colour holds the eye more than form, the first thing noticeable was neither temple nor fort, but an ever-recurring picture, painted in the rudest form of native art, of a man on horseback armed with a lance, charging an elephant-of-war. As a rule, the elephant was depicted on one side the house-door and the rider on the other. There was no representation of an army behind. The figures stood alone upon the whitewash on house and wall and gate, again and again and again. A highly intelligent priest grunted that it was a picture; a private of the Maharana's regular army suggested that it was an elephant; while a wheat-seller, his sword at his side, was equally certain that it was a Raja. Beyond that point, his knowledge did not go. The explanation of the picture is this. In the days when Raja Maun of Amber put his sword at Akbar's service and won for him great kingdoms, Akbar sent an army against Mewar, whose then ruler was Pertap Singh, most famous of all the princes of Mewar. Selim, Akbar's son, led the army of the Toork; the Rajputs met them at the pass of Huldighat and fought till one-half of their band was slain. Once, in the press of battle, Pertap on his great horse, Chytak, came within striking distance of Selim's elephant, and slew the mahout, but Selim escaped, to become Jehangir afterwards, and the Rajputs were broken. That was three hundred years ago, and men have reduced the picture to a sort of diagram that