From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
General
From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
Kipling was not a member of The Players, on account of his book about
the United States. He was not well known when he first came here, and no
one was prophet enough to guess that he was to become the greatest name
in English of his time. Many of the older men would not “stand for” his
criticism of America. I heard old Edward Bell burst forth to Edwin
Booth:
“If that cussed young Englishman ever comes into this club, I’ll boot
him out of it.”
“Yes,” said Booth, and immediately left for his own room, as he always
did if anything seriously disturbed him.
In spite of these prejudices, Kipling was a visitor and became a friend
to many of the members. I met him very casually, but admired him
greatly, thinking his comments upon us a little harsh, but quite fair in
many ways. His classification of England, France, and America to Brander
Matthews is interesting. England he claimed, would die for liberty, but
had a poor idea of equality; France would die for equality, but was hazy
about fraternity; the United States was hazy about both liberty and
equality, but went in heart and soul for fraternity; and that was why
they would pay five cents to stand up in a street car when others sit
down for the same price.
Zogbaum, the artist, once took Kipling over to the Brooklyn Navy Yard to
meet Commander Evans, known as “Fighting Bob.” He told me that they at
once squatted down together and began to “swap” stories, nor did they do
anything else until it was time for Kipling to go. He was silent on the
ferryboat coming home, and upon landing in New York asked for the
nearest bookseller, where he bought a copy of his own _Seven Seas_.
Borrowing a pencil from Zogbaum, he sat in the shop and wrote for some
time, then handing the book to the clerk, he asked him to mail it to
Evans at the Navy Yard. That is the way we got the poem, “Zogbaum looks
after his pencil and I look after my style.”
Edwin Booth was the spirit and controlling force of The Players when I
joined. It was his home and he lent an atmosphere of good breeding and
repose that has endured to the present day. I was made a member in ’91
and had the honor of seeing quite a bit of him before his death. His
memory for names was already going, and almost every day after
breakfast, when he and I would be sitting together in the reading room
with the morning papers, he would suddenly look over his newspaper at me
in a quizzical manner and say:
“Pardon me, sir, but you remind me forcibly of a family of dear friends
of mine the—the—the—actor-painter people—the—”
“The Forbes-Robertsons?” I would suggest.
“Yes, the Forbes-Robertsons. Have you ever been mistaken for them?”
“Oh yes, several times in London,” I would reply. And, the ice so
broken, we would talk of all sorts of matters.
Public-domain text, read in full here on John Shaqi.
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