From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
General
From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
We were in the real West now. All along, beside the tracks, were huts
built of piled-up abandoned railway ties. Here men had tried to spend
the night crawling in over a fire, many having been burned to death this
way. It was surely an example of the survival of the fittest.
Constantly, from the car window, could be seen the former emigrant wagon
trail, and everywhere were the bleached bones of bison and oxen. Every
time a hill rose high enough to count, there was a little white cross,
marking the graves of a baby or perhaps a wife whose ashes were
scattered, like those of the engine, God knows where. No calvary could
have shown more evidences of pain and suffering than the trail of these
first argonauts across the plains.
A fat man on the train took an interest in me, and it flattered me
greatly. I have since met his type all over the world: he is what is
called in gambling parlance, a “capper.” I was dressed well and he
probably thought I was wealthy, for he turned and asked me if I did not
want to get off with him in Green River and go to a place where we could
get beer and free lunch (then unknown to me) for one “bit.” This idea
pleased me, as the meals at the stations, which included bear meat and
all sort of luxuries, were one dollar. The town was nothing but
sagebrush and hills, with one little straight street down to a dive.
While we were eating and drinking, in came a man whose type I had been
warned against in Cincinnati, where all the talk was of the West. He was
a handsome, sharp, keen, inbred Yankee with a fur coat down to his
heels, and kept swinging a bunch of mink skins while simulating
drunkenness. I should have known that he was the three-card-monte man,
as he fitted perfectly the description that had been given to me; but he
was such an artist that, in my youthful ignorance, he convinced me that
he was the _real_ drunk that the three-card-monte man imitated.
Swaggering around the room, he fished in his pocket for some money and,
pulling out a roll of bills, threw it on the floor in disgust. Taking
out a lot of gold, he indicated that it was the only money he cared to
use.
“I’ve been in the land of Mormons,” he cried, producing a pack of cards,
“and I learned a new game which I’ll show you. It’s called ‘Find the
Mormon.’”
All the men, including a crowd of my acquaintances from the train, who
had come in, crowded around him, myself in the front row. My friend, the
capper, tried his hand and won several times, making a great haul. Then
he urged me to bet and, upon my telling him I was broke, thrust a
twenty-dollar bill into my hand. I bet it and won, paying back my debt,
and then held out the other bill to the bartender to change so I could
divide with my “pal.” He reached his head down below the bar and I
suddenly felt the atmosphere change....
Public-domain text, read in full here on John Shaqi.
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