From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
General
From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
He always looked neat, with his boots beautifully polished—again
gratis—by any bootblack in the town. Many times he came into our store,
asked to see some articles of merchandise, looked them over carefully,
and selecting what he wanted, said ponderously:
“I am the Emperor Norton. I will settle for this when I come into my
throne.”
No one ever knew where he lived. He never asked to have anything sent
home, and his purchases were never extravagant. His imagination was slow
when it came to material things, or he may have been sly enough to know
just how far to go. If he needed a little small change, he sold, at a
discount, beautifully made out drafts on his future exchequer.
Many a time I have seen him walk into a restaurant with measured
tread—he never hurried. The head waiter would rush up to greet him
respectfully. The Emperor would ask:
“Is my food ready?”
“Right away, Emperor.”
He would be seated at the best table and given the best the house
afforded. Having finished, he would walk out majestically without
paying, of course. The Emperor Norton _never_ got out of his part.
This could never have happened in the East. In Concord, Massachusetts,
people would have lifted their eyebrows and given him food and raiment
as if he were a tramp, but indulged him in his whimsies—never! In New
York, those smart society women who send their daughters out upon Fifth
Avenue to beg money for various charities would most certainly have had
the Emperor Norton put in an institution for the insane.
Chapter IV: On Being a Tenderfoot
_North of California_
Twenty miles from Water,
Thirty miles from Mail,
Forty miles from Hell,
Girl Wanted—Inquire within.
Rudely printed and stuck at a rakish angle upon a tree, hundreds of
miles from civilization, or indeed from any visible touch of human
habitation, this sign greeted the astonished eyes of the passengers who
traveled on the stage line from Redding to Shasta in the north of
California in ’75. Leading from it, off into the woods, was a tiny newly
trodden path—an invitation that any adventurous young woman could hardly
fail to take—had any come that way. But there was the joke—few did.
These Westerners made jests of everything, their loneliness and misery
in particular, and the characteristic is not dead yet. For just thirty
years later, in the city of San Francisco, people forced to rush from
their homes by a great conflagration, leaving all their worldly
possessions behind them, put up outside their improvised tents and
shacks such ridiculous signs as these:
Old clothes for sale.
Beer, five cents.
Fortunes told.
Dew Drop Inn.
Rooms To Let.
Public-domain text, read in full here on John Shaqi.
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