From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
General
From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
And while the fire still raged within the walls of that hostelry of
which they were all so proud, there appeared over the poorest and most
tumble-down shelter of all the words:
PALACE HOTEL.
California still may be young, but, better yet, California is still
brave and unspoiled.
The distance to Redding by railway seemed to take hours and hours. There
were no fences, no divisions of property, no irregular stone-wall
separations, as in the East, and no parti-colored plaids of green and
brown denoting “this is mine and that is yours,” that I was to see in
Europe later on. It was my first view of large acreage—miles and miles
of it—and in the distance (real distance in California, which you soon
find out if you start to walk it) great hills of red and purple, while
right beside the tracks, unprotected from the weather, were endless
stretches of sacks rammed full of wheat.
Most of the towns took the name of the first settler, and Redding was
called for the father of Joe Redding, who has distinguished himself in
many ways—one being to write the libretto for Victor Herbert’s opera,
“Natoma.” One unsuspecting village named “Dorris Bridge,” after its
founder, had this changed to “Alturas” by a representative whom the
voters had sent to the state legislature. When the populace heard that
they were forced hereafter (by law) to be called by a classic name, they
took their guns and prepared to meet that assemblyman as soon as he got
off the stage. Needless to say, he never returned home.
From Redding on was a stage line, winding in among the immense hills,
with turns in the road so sharp that the leaders of the six-horse team
would have to climb the bank in order that the coach might go around the
corner. On one occasion an animal which I took for a big collie dog, but
which was in reality a coyote, ran behind us for quite a ways.
By this time I took any kind of a job—took it, and learned how to do it
afterward; so at Bayley’s, my first stop, I did many things, from
picking blackberries to running a mowing machine—only knocking two teeth
out of the scythe before I got the hang of it. Old man Bayley, being a
democratic soul, played cards with his help at night, thereby taking
away from them regularly what he paid them during the day. Life was
profitable to no one but Bayley, so I decided to move on. Let me say
that on my return trip I stopped again at Bayley’s. I was greeted
joyously. But I had learned a new game up in the country. I taught Mr.
Bayley seven-up, and before I left that place I had won back all the
money he had taken away from me when I worked for him, and fifty dollars
“velvet”—incidentally paying my trip back to San Francisco.
Public-domain text, read in full here on John Shaqi.
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