From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
General
From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
Julian had his office below, but was not there with any regularity,
generally coming in to loaf or to see new girls. He was a Hercules and
quite a romantic figure, about whom there were many stories. They say he
was the Masked Man who used to wrestle on the stage and at county fairs.
This hulking fellow had been rather a good painter and had become a most
successful business man. Born an Italian peasant, he had spent the early
years of his life as a goatherd. To me he always looked exactly like a
great big orangutan. The three hundred francs a year he received from
each one of us seemed a small sum; but the models were paid only a few
cents a day, the rental of the studio must have been negligible, and
such men as Lefebvre, Boulanger, Bougereau, Tony Fleury, and after him
Tony Robert Fleury, gave their instruction gratuitously. So it was not
such a bad business deal after all.
One of the older students was the _massier_, or boss. He chose the model
for the week or had one voted upon from the crowd of poor devils who
lined the stairway every Monday morning in hopes of a job. This day we
grabbed our places; first come, first served. If anyone came into the
room, other than Julian or an _ancien_ (old student), there were hurled
at him paint tubes, stools, cigar butts, oaths, and comments upon his
appearance and clothing. This was a tradition of the school and had to
be lived up to.
Some of the pupils were old men with gray hair who had been there
fifteen or twenty years, still working away, I suppose, like some men
who stay in prison after their terms are up, having got used to the
place. One day a tall Englishman—I think he called himself Vernon—turned
up. He was about fifty-five years old, hollow cheeked, with sad eyes
looking out from under great brows. He came every day and worked hard,
but his painting was not very good. He always made a pretty model’s legs
look like twisted rope. One morning he called me over to criticize his
drawing, and I asked him why he was doing this. He told me he was an art
lover, owned a great many pictures, and thought he would get a far
greater appreciation of them by doing the actual work. He stayed about
two months and some time after we learned that he was Lord Dufferin, who
had just come from the post of Governor-General of Canada and was on his
way to St. Petersburg. Imagine the shame of a certain pupil from England
who had constantly boasted in a truly British manner (and, indeed, in
“Mr. Vernon’s” very presence) of his close friendship with Lord
Dufferin!
Public-domain text, read in full here on John Shaqi.
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