At the sound of the pistol we all dashed off and I started fairly well.
The sensation in a sprint of this kind is most interesting, because at
first your position with respect to the other runners is unchanged.
Though you are all flying along at a terrific pace, you appear to be all
hardly moving at all. But then, after about half the distance had been
run, I found, much to my astonishment, that I had caught the man who had
one yard start from me, and both he and I were almost dead level with
the front man. Now, of course, was the time for me to make my supreme
effort; but just as I was about to do so, I became conscious of
something white on my left and found, to my great interest, that
Muspratt was only a yard behind me. In fact he was already making his
effort, and when I made mine it proved useless against Muspratt, who was
an old warhorse of the cinder path and a magnificent judge of pace.
Twenty yards from the tape I honestly believe the whole five of us were
in a dead line; but Muspratt really had us in the hollow of his hand,
though we little knew it and all strained every nerve for victory. He
slid past us, however, and broke the tape a yard ahead of myself and the
fat man. And I was honestly more amazed by the splendid running of the
fat man than anything else in the heat; because it showed what pluck and
training and the genius of Nat Perry could do, even for such an
unpromising sprinter.
Travers, who most kindly consented to come down that evening and
encourage me, though he was not doing anything himself, figured it all
out very correctly on paper afterwards. The heat was run in ten and
three-fifths of a second by Muspratt with four yards start, and he beat
me by a yard and a half. Therefore Travers considered that I had done
what would have amounted to a shade worse than eleven seconds from
scratch.
Muspratt, who ran in an eyeglass, by the way, which was interesting in
itself, though spectacles were common enough with sprinters, got second
in the final heat, which was won by a man with nine yards start, who had
never before won as much as a salt-cellar, though he had been competing
for two years unavailingly.
But though of great interest to me, I cannot say any more about my
doings at the London Athletic Club, because other more important matters
have to be told. What with running and cricket matches against other
Fire and Life Insurance Offices, I now got plenty of exercise and felt
exceedingly well and keen to proceed with the most important business of
my life—which was, of course, to become a tragic actor and play in the
greatest dramatic achievements of the human mind.
VIII
At last there came the solemn evening when I arrived at the Dramatic
School.
Public-domain text, read in full here on John Shaqi.
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