World War, 1914-1918 -- Australia; World War, 1914-1918 -- Pictorial works
[Illustration: France, 11.30 p.m. "I wonder if the same dear old Moon is
shining through her bedroom window."]
[Illustration: Blighty, 11.30 p.m. The Girl: "How annoying this beastly
old Moon is!"]
[Illustration: One of the old Platoon.
Drawn by Will Dyson.]
[Illustration: Food for the Guns.]
[Illustration: Scene in an Advanced Dressing-Station.]
[Illustration: A Shell burst in Glencorse Wood.]
[Illustration: Australian Pioneers construct a Roadway while the Battle
is proceeding.]
[Illustration: Boche Prisoners assisting to bring in our Wounded.]
[Illustration: Conducting Battle Operations.]
[Illustration: Communications must be kept up at all costs, and
these men are seen going to run out New Lines during the Battle of
Zonnebeke.]
[Illustration: The Effect of a 9.2 British Shell on a Reinforced
Concrete German Dug-out.
The dug-out was some feet below the surface of the ground and the
concrete roof and wall were over 2 feet thick.]
[Illustration: A Boche Residence that is practically Shell-proof.]
[Illustration: An Australian Pigeons Dispatch Rider leaving Signals
H.Q.]
[Illustration: The Fight for the Ridges: A Procession of Boche
Prisoners to our rear.]
[Illustration: Boche Prisoners wearing their Characteristic Helmets.]
[Illustration: The Fight for the Ridges: The Type of Ground over which
the Advance was made during September.]
[Illustration: A Few "Empties" used during the Battle of Zonnebeke.]
[Illustration: A Captured Strong Point.
Note the great thickness of concrete above the entrance.]
[Illustration: A Captured Flammenwerfer.]
[Illustration: The Fight for the Ridges: The Advanced Line in
Shell-holes.]
[Illustration: After a Battle: Wounded awaiting Ambulance Transport.]
[Illustration: What it Feels Like without a Pass when on Leave.]
[Illustration: The Clean Page--When?]
PRINTED BY CASSELL & COMPANY, LIMITED, LA BELLE SAUVAGE, LONDON, E.C.4
F. 1000. 1117
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| Minor typographical errors have been corrected without note. |
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Public-domain text, read in full here on John Shaqi.
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