There are at least three different styles in the architecture of these pillars. Some of them are grooved in spirals, gradually and imperceptibly changing from round to sixteen sided, then octagonal and square. Others, plain for the first third of their height, gradually finished under the ceiling by a most elaborate display of ornamentation, which reminds one of the Corinthian style. The third with a square plinth and semi-circular friezes. Taking it all in all, they made a most original and graceful picture. Mr. Y----, an architect by profession, assured us that he never saw anything more striking. He said he could not imagine by the aid of what instruments the ancient builders could accomplish such wonders. The construction of the Bagh caves, as well as of all the cave temples of India, whose history is lost in the darkness of time, is ascribed by the European archeologists to the Buddhists, and by the native tradition to the Pandu brothers. Indian paleography protests in every one of its new discoveries against the hasty conclusions of the Orientalists. And much may be said against the intervention of Buddhists in this particular case. But I shall indicate only one particular. The theory which declares that all the cave temples of India are of Buddhist origin is wrong. The Orientalists may insist as much as they choose on the hypothesis that the Buddhists became again idol-worshipers; it will explain nothing, and contradicts the history of both Buddhists and Brahmans. The Brahmans began persecuting and banishing the Buddhists precisely because they had begun a crusade against idol-worship. The few Buddhist communities who remained in India and deserted the pure, though, maybe--for a shallow observer--somewhat atheistic teachings of Gautama Siddhartha, never joined Brahmanism, but coalesced with the Jainas, and gradually became absorbed in them. Then why not suppose that if, amongst hundreds of Brahmanical gods, we find one statue of Buddha, it only shows that the masses of half-converts to Buddhism added this new god to the ancient Brahmanical temple. This would be much more sensible than to think that the Buddhists of the two centuries before and after the beginning of the Christian era dared to fill their temples with idols, in defiance of the spirit of the reformer Gau-tama. The figures of Buddha are easily discerned in the swarm of heathen gods; their position is always the same, and the palm of its right hand is always turned upwards, blessing the worshipers with two fingers. We examined almost every remarkable vihara of the so-called Buddhist temples, and never met with one statue of Buddha which could not have been added in a later epoch than the construction of the temple; it does not matter whether it was a year or a thousand years later. Not being perfectly self-confident in this matter, we always took the opinion of Mr. Y----, who, as I said before, was an experienced architect; and he