invariably came to the conclusion that the Brahmanical idols formed a harmonic and genuine part of the whole, pillars, decorations, and the general style of the temple; whereas the statue of Buddha was an additional and discordant patch. Out of thirty or forty caves of Ellora, all filled with idols, there is only one, the one called the Temple of the Tri-Lokas, which contains nothing but statues of Buddha, and of Ananda, his favourite disciple. Of course, in this case it would be perfectly right to think it is a Buddhist vihara. Most probably, some of the Russian archeologists will protest against the opinions I maintain, that is to say, the opinions of the Hindu archeologists, and will treat me as an ignoramus, outraging science. In self-defence, and in order to show how unstable a ground to base one's opinions upon are the conclusions even of such a great authority as Mr. Fergusson, I must mention the following instance. This great architect, but very mediocre archeologist, proclaimed at the very beginning of his scientific career that "all the cave temples of Kanara, without exception, were built between the fifth and the tenth centuries." This theory became generally accepted, when suddenly Dr. Bird found a brass plate in a certain Kanara monument, called a tope. The plate announced in pure and distinct Sanskrit that this tope was erected as a homage to the old temple, at the beginning of 245 of the Hindu astronomical (Samvat) era. According to Prinsep and Dr. Stevenson, this date coincides with 189 A.D., and so it clearly settles the question of when the tope was built. But the question of the antiquity of the temple itself still remains open, though the inscription states that it was an old temple in 189 A.D., and contradicts the above-quoted opinion of Fergusson. However, this important discovery failed to shake Fergusson's equanimity. For him, ancient inscriptions are of no importance, because, as he says, "the antiquity of ruins must not be fixed on the basis of inscriptions, but on the basis of certain architectural canons and rules," discovered by Mr. Fergusson in person. Fiat hypothesis, ruat coelum! And now I shall return to my narrative. Straight before the entrance a door leads to another hall, which is oblong, with hexagonal pillars and niches, containing statues in a tolerable state of preservation; goddesses ten feet and gods nine feet high. After this hall there is a room with an altar, which is a regular hexagon, having sides each three feet long, and protected by a cupola cut in the rock. Nobody was admitted here, except the initiates of the mysteries of the adytum. All round this room there are about twenty priests' cells. Absorbed in the examination of the altar, we did not notice the absence of the colonel, till we heard his loud voice in the distance calling to us: "I have found a secret passage.... Come along, let us find where it leads to!"