From the Caves and Jungles of HindostanBlavatsky, H. P. (Helena Petrovna)
Religion
From the Caves and Jungles of Hindostan
Blavatsky, H. P. (Helena Petrovna)
Blavatsky, H. P. (Helena Petrovna), 1831-1891; India -- Description and travel; India -- Religion
As soon as the reeds concert reaches its height and the inhabitants of
the neighborhood hear the distant "voices of the gods," whole villages
flock together to the bank of the lake, light bonfires, and perform
their pujas. The fires lit up one after the other, and the black
silhouettes of the worshippers moved about on the opposite shore. Their
sacred songs and loud exclamations, "Hari, Hari, Maha-deva!" resounded
with a strange loudness and a wild emphasis in the pure air of the
night. And the reeds, shaken in the wind, answered them with tender
musical phrases. The whole stirred a vague feeling of uneasiness in
my soul, a strange intoxication crept gradually over me, and in this
enchanting place the idol-worship of these passionate, poetical souls,
sunk in dark ignorance, seemed more intelligible and less repulsive. A
Hindu is a born mystic, and the luxuriant nature of his country has made
of him a zealous pantheist.
Sounds of alguja, a kind of Pandean pipe with seven openings, struck
our attention; their music was wafted by the wind quite distinctly from
somewhere in the wood. They also startled a whole family of monkeys in
the branches of a tree over our heads. Two or three monkeys carefully
slipped down, and looked round as if waiting for something.
"What is this new Orpheus, to whose voice these monkeys answer?" asked I
laughingly.
"Some fakir probably. The alguja is generally used to invite the sacred
monkeys to their meals. The community of fakirs, who once inhabited
this island, have removed to an old pagoda in the forest. Their new
resting-place brings them more profit, because there are many passers
by, whereas the island is perfectly isolated."
"Probably they were compelled to desert this dreadful place because they
were threatened by chronic deafness," Miss X---- expressed her opinion.
She could not help being out of temper at being prevented from enjoying
her quiet slumber, our tents being right in the middle of the orchestra.
"A propos of Orpheus," asked the Takur, "do you know that the lyre of
this Greek demigod was not the first to cast spells over people, animals
and even rivers? Kui, a certain Chinese musical artist, as they are
called, expresses something to this effect: 'When I play my kyng the
wild animals hasten to me, and range themselves into rows, spellbound by
my melody.' This Kui lived one thousand years before the supposed era of
Orpheus."
"What a funny coincidence!" exclaimed I. "Kui is the name of one of our
best artists in St. Petersburg. Where did you read this?"
Public-domain text, read in full here on John Shaqi.
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