In a fit of tourist exaltation some travellers have compared it to the Bay of Naples; but, as a matter of fact, the one is as much like the other as a lazzaroni is like a Kuli. The whole resemblance between the former consists in the fact that there is water in both. In Bombay, as well as in its harbour, everything is original and does not in the least remind one of Southern Europe. Look at those coasting vessels and native boats; both are built in the likeness of the sea bird "sat," a kind of kingfisher. When in motion these boats are the personi-fication of grace, with their long prows and rounded poops. They look as if they were gliding backwards, and one might mistake for wings the strangely shaped, long lateen sails, their narrow angles fastened upwards to a yard. Filling these two wings with the wind, and careening, so as almost to touch the surface of the water, these boats will fly along with astonishing swiftness. Unlike our European boats, they do not cut the waves, but glide over them like a sea-gull. The surroundings of the bay transported us to some fairy land of the Arabian Nights. The ridge of the Western Ghats, cut through here and there by some separate hills almost as high as themselves, stretched all along the Eastern shore. From the base to their fantastic, rocky tops, they are all overgrown with impenetrable forests and jungles inhabited by wild animals. Every rock has been enriched by the popular imagination with an independent legend. All over the slope of the mountain are scattered the pagodas, mosques, and temples of numberless sects. Here and there the hot rays of the sun strike upon an old fortress, once dreadful and inaccessible, now half ruined and covered with prickly cactus. At every step some memorial of sanctity. Here a deep vihara, a cave cell of a Buddhist bhikshu saint, there a rock protected by the symbol of Shiva, further on a Jaina temple, or a holy tank, all covered with sedge and filled with water, once blessed by a Brahman and able to purify every sin, all indispensable attribute of all pagodas. All the surroundings are covered with symbols of gods and goddesses. Each of the three hundred and thirty millions of deities of the Hindu Pantheon has its representative in something consecrated to it, a stone, a flower, a tree, or a bird. On the West side of the Malabar Hill peeps through the trees Valakeshvara, the temple of the "Lord of Sand." A long stream of Hindus moves towards this celebrated temple; men and women, shining with rings on their fingers and toes, with bracelets from their wrists up to their elbows, clad in bright turbans and snow white muslins, with foreheads freshly painted with red, yellow, and white, holy sectarian signs.