From the Easy Chair, Volume 1Curtis, George William
General
From the Easy Chair, Volume 1
Curtis, George William
American essays
When, hereafter, some chance traveller picks up this odd number of an
old magazine and opens to this very page, let him know that the
evening of Dickens's first reading in New York was bright with
moonlight veiled in a soft gray snow-cloud. The crowd at the entrance
was not large. The speculators in tickets were not troublesome,
because all the tickets had been long sold. The police, as usual, were
polite and efficient; and going up the steep staircase, and passing
through the single door, we were all quietly and pleasantly seated by
eight o'clock. The floor of Steinway Hall is level, so that the
audience is lost to itself; but it was easy for all of us to perceive,
by scanning our neighbors, that we were a very fine body of people. At
least everybody who was present said so. We all remarked that the
intelligence and distinction of the city were present, and that it
must be extremely gratifying to Mr. Dickens to be welcomed by the most
intellectual and appreciative audience that could be assembled in New
York.
The details of the arrangement upon the platform, the screen behind,
the hidden lights above and below, and the stiff little table with the
water-bottle, are familiar. But as we all sat looking at them, and at
the variously splendid toilets that rustled in, and fluttered, and
finally settled, it was not possible to escape the great thought that
in a few moments we should see at that queer, stiff table the creator
of Sam Weller, and Oliver Twist, and Micawber, and Dick Swiveller, and
the rest of the endless, marvellous company--the greatest story-teller
since Scott, one of the most famous names in literature since
Fielding. When he was here before Carlyle growled in _Past and
Present_ about "Schnauspiel, the distinguished novelist," and there
were some who laughed. But the laugh has passed by.--Look! There is a
man, who looks like somebody's "own man," who scuffles across the
stage and turns up a burner or two; and he is scarcely out of the way
when--there he comes, rapidly, in full evening dress, with a heavy
watch-chain, and a nosegay in his button-hole, the world's own man.
His reception was sober. The whole audience clapped its gloved hands.
Not a heel, not a cane, mingled with the sound, not a solitary voice.
It was a very muffled cordiality, an enthusiasm in kid gloves. The
Easy Chair, for one, longed to rise and shout. Heaven has given us
voices, brethren, with which to welcome and salute our friends, and if
ever a long, long cheer should have rung from the heart, it was when
the man who has done so much for all of us stood before us. But it was
useless. The steady clapping was prolonged, and Dickers stood calmly,
bowing easily once or twice, and waiting with the air of one ready to
begin business.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account