From the Easy Chair, Volume 1Curtis, George William
General
From the Easy Chair, Volume 1
Curtis, George William
American essays
But while leaning against the wall, under the balcony, the Easy Chair
looks around upon the humming throng and thinks of camps far away, and
beating drums and wild alarms and sweeping squadrons of battle, there
is a sudden hush and a simultaneous glance towards one side of the
house, and there, behind the seats at the side, and making for the
stage door, marches a procession, two and two, very solemn, very bald,
very gray, and in evening dress. They are the invited guests, the
honored citizens of Brooklyn, the reverend clergy, and others; a body
of substantial, intelligent, decorous persons. They disappear for a
moment within the door, and immediately emerge upon the stage with a
composed bustle, moving the seats, taking off their coats, sedately
interchanging little jests, and finally seating themselves, and gazing
at the audience evidently with a feeling of doubt whether the honor of
the position compensates for its great disadvantage; for to sit behind
an orator is to hear, without seeing, an actor.
The audience is now waiting, both upon the stage and in the boxes,
with patient expectation. There is little talking, but a tension of
heads towards the stage. The last word is spoken there, the last joke
expires; all attention is concentrated upon an expected object. The
edge of eagerness is not suffered to turn, but precisely at the right
moment a figure with a dark head and another with a gray head are seen
at the depth of the stage, advancing through the aisle towards the
foot-lights and the audience. They are the president of the society
and the orator. The audience applauds. It is not a burst of
enthusiasm; it is rather applausive appreciation of acknowledged
merit. The gray-headed orator bows gravely and slightly, lays a roll
of MS. upon the table, then he and the president seat themselves side
by side. For a moment they converse, evidently complimenting the
brilliant audience. The orator, also, evidently says that the table is
right, that the light is right, that the glass of water is right, and
finally that he is ready.
Public-domain text, read in full here on John Shaqi.
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