From the Easy Chair, Volume 1Curtis, George William
General
From the Easy Chair, Volume 1
Curtis, George William
American essays
Such a cynosure could not possibly have been named Phillis: Artemis,
perhaps, or Hildegarde; Constance, Una, Mildred, or Cunigunda, but by
no possibility Phillis. That is a pastoral name, a shepherd's
sweetheart. Indeed, the two kinds of women are perfectly indicated and
distinguished in these lines of _L'Allegro_, which have no detail of
description. The impression of womanly difference is nowhere more
completely given. One picture is that of the lofty, haughty, "highborn
Helen," the superb Lady Clara Vere de Vere; the other is that of the
thrifty Baucis, the gardener Adam's wife. And the two are as near in
the young man's heart as they are in the poem.
When Mr. William Guppy raised his eyes from the pit of the theatre to
Miss Esther Summerson sitting in the boxes, the "image imprinted on
his 'art" was that of the cynosure of neighboring eyes, stately among
stately towers and ancestral trees. But doubtless when Mr. William
Guppy, as lovers will, abandoned himself to blissful dreams of the
possible home that should grow out of his lofty passion, it was
another vision that he saw; it was the high-born Helen coming down to
breakfast in a sweet morning-cap, a neat-handed Phillis. For love,
which soars and sings, also builds its nest. The one instinct is as
deep and sure as the other. The cynosure of worshipping hearts and
eyes is but the romantic aspect of Phillis: and because she is so
lofty and so lovely will she be the miracle-worker in the household.
The secret sorrow of a thousand homes is that the lady of the towers
and battlements does not prove in fact to be also the neat-handed
Phillis.
Indeed, it is a kind of national complaint and lamentation that the
neat-handed Phillis is disappearing altogether. This is the
significance of the servant-girl question. This is the root of the
alarming conviction that Phillis is changing into Biddy, whose fit
epithet is not neat-handed. This is the meaning of the cry for
bread--light, sweet, well-baked bread; not the clammy dough which is
served to a despairing land. This is the reason of the wondering
question, What has become of roast meat? and of the melancholy
conviction that henceforth baked beef is to replace the juicy sirloin
of tradition, history, and elegant literature.
Public-domain text, read in full here on John Shaqi.
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