From the Easy Chair, Volume 3Curtis, George William
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From the Easy Chair, Volume 3
Curtis, George William
American essays
The finest sight is the autumn of age, like that of the year. Some men
shrivel and dry up as they grow old. Some become coarse, or cynical, or
sad. Some, after a noble promise and even a full flowering, ripen no
fruit at all, and leave only a few reluctant and blighted results. Some
stand covered with "nurly" balls, hard, dry, and useless. Others are
stripped and bare. But a genial, golden age has all the qualities of a
warm October day. There is soft repose upon the landscape. No harsh
winds blow, no sharp chills freeze. The distance on all sides is
delicate and lost in luminous haze. Behind, it is romantic and fair;
before, it is beautiful and alluring. On all the misty hill-tops visible
summer seems to linger. The fields are crimson and yellow with the
riches of the orchard; the purple grape glistens kindly, and the golden
pumpkin lies comfortably under the stooks of dry corn. In the woods the
light winds shake the trees and the dropping nuts patter upon the
fallen leaves. Along the road the profuse golden-rod waves its bright
spray, and the cool, scentless asters gleam like pallid stars. The heat
is so honest that the round earth seems to bask in it with conscious
joy. That shining sky hides no lightning. It hangs serenely over--a
visible benediction. Night and day the barn doors stand wide open, and
the great barn is bursting with its heaped treasures. The wagons come
and go, and the beat of the flail begins. Bright and beautiful and
abundant is the cheery scene, but there is a pervading sense of
accomplishment. The cattle graze in the pastures, and in the meadows
where the growth is over. The harvest fields will clearly do no more.
The green of June has faded into the russet of October, and even the
gorgeous leaves burn, a hectic hue, upon the landscape. The earth has
done its work for the year, and there is a feeling of gathering in, of
closing the doors, and of going to rest.
Public-domain text, read in full here on John Shaqi.
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