“Yes, I received your letter. Indeed, I was charmed to receive it. Now, should you ever feel inclined to tell your brother any of the vile stories about me that you have threatened me with, I could easily satisfy him that the only source of your lying tale-bearing was anger with me for repulsing a criminal passion as it deserved. Consider yourself warned, my dear boy--and au revoir.” As pleased as an actress who has just delivered a telling speech with fine effect, she passed him and left the room smiling, with a little curl at the corners of her mouth, triumphant and without anger. And he did not kill her! CHAPTER XVII. AN ITEM OF NEWS In the evening preceding that ill-omened day, a few moments after Frantz had stealthily left his room on Rue de Braque, the illustrious Delobelle returned home, with downcast face and that air of lassitude and disillusionment with which he always met untoward events. “Oh! mon Dieu, my poor man, what has happened?” instantly inquired Madame Delobelle, whom twenty years of exaggerated dramatic pantomime had not yet surfeited. Before replying, the ex-actor, who never failed to precede his most trivial words with some facial play, learned long before for stage purposes, dropped his lower lip, in token of disgust and loathing, as if he had just swallowed something very bitter. “The matter is that those Rislers are certainly ingrates or egotists, and, beyond all question, exceedingly ill-bred. Do you know what I just learned downstairs from the concierge, who glanced at me out of the corner of his eye, making sport of me? Well, Frantz Risler has gone! He left the house a short time ago, and has left Paris perhaps ere this, without so much as coming to shake my hand, to thank me for the welcome he has received here. What do you think of that? For he didn’t say good-by to you two either, did he? And yet, only a month ago, he was always in our rooms, without any remonstrance from us.” Mamma Delobelle uttered an exclamation of genuine surprise and grief. Desiree, on the contrary, did not say a word or make a motion. She was always the same little iceberg. Oh! wretched mother, turn your eyes upon your daughter. See that transparent pallor, those tearless eyes which gleam unwaveringly, as if their thoughts and their gaze were concentrated on some object visible to them alone. Cause that poor suffering heart to open itself to you. Question your child. Make her speak, above all things make her weep, to rid her of the burden that is stifling her, so that her tear-dimmed eyes can no longer distinguish in space that horrible unknown thing upon which they are fixed in desperation now.