French fiction -- Translations into English; Paris (France) -- Fiction
She knew all the habits of the family: At what hour the bell was rung,
when the workmen went away, the Saturday payday which kept the cashier’s
little lamp lighted late in the evening, and the long Sunday afternoon,
the closed workshops, the smokeless chimney, the profound silence which
enabled her to hear Mademoiselle Claire at play in the garden, running
about with her cousin Georges. From Risler she obtained details.
“Show me the salon windows,” she would say to him, “and Claire’s room.”
Risler, delighted by this extraordinary interest in his beloved factory,
would explain to the child from their lofty position the arrangement
of the buildings, point out the print-shop, the gilding-shop, the
designing-room where he worked, the engine-room, above which towered
that enormous chimney blackening all the neighboring walls with its
corrosive smoke, and which never suspected that a young life, concealed
beneath a neighboring roof, mingled its inmost thoughts with its loud,
indefatigable panting.
At last one day Sidonie entered that paradise of which she had
heretofore caught only a glimpse.
Madame Fromont, to whom Risler often spoke of her little neighbor’s
beauty and intelligence, asked him to bring her to the children’s ball
she intended to give at Christmas. At first Monsieur Chebe replied by a
curt refusal. Even in those days, the Fromonts, whose name was always on
Rider’s lips, irritated and humiliated him by their wealth. Moreover, it
was to be a fancy ball, and M. Chebe--who did not sell wallpapers, not
he!--could not afford to dress his daughter as a circus-dancer. But
Risler insisted, declared that he would get everything himself, and at
once set about designing a costume.
It was a memorable evening.
In Madame Chebe’s bedroom, littered with pieces of cloth and pins and
small toilet articles, Desiree Delobelle superintended Sidonie’s toilet.
The child, appearing taller because of her short skirt of red flannel
with black stripes, stood before the mirror, erect and motionless, in
the glittering splendor of her costume. She was charming. The waist,
with bands of velvet laced over the white stomacher, the lovely, long
tresses of chestnut hair escaping from a hat of plaited straw, all
the trivial details of her Savoyard’s costume were heightened by the
intelligent features of the child, who was quite at her ease in the
brilliant colors of that theatrical garb.
Public-domain text, read in full here on John Shaqi.
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