French fiction -- Translations into English; Paris (France) -- Fiction
As for the great salons, where the panels with paintings of famous
subjects were fading in the autumn fogs, as for the ponds overrun with
water-lilies, the grottoes, the stone bridges, he cared for them only
because of the admiration of visitors, and because of such elements was
composed that thing which so flattered his vanity as an ex-dealer in
cattle--a chateau!
Being already old, unable to hunt or fish, he passed his time
superintending the most trivial details of that large property. The
grain for the hens, the price of the last load of the second crop of
hay, the number of bales of straw stored in a magnificent circular
granary, furnished him with matter for scolding for a whole day; and
certain it is that, when one gazed from a distance at that lovely estate
of Savigny, the chateau on the hillside, the river, like a mirror,
flowing at its feet, the high terraces shaded by ivy, the supporting
wall of the park following the majestic slope of the ground, one never
would have suspected the proprietor’s niggardliness and meanness of
spirit.
In the idleness consequent upon his wealth, M. Gardinois, being greatly
bored in Paris, lived at Savigny throughout the year, and the Fromonts
lived with him during the summer.
Madame Fromont was a mild, dull woman, whom her father’s brutal
despotism had early molded to passive obedience for life. She maintained
the same attitude with her husband, whose constant kindness and
indulgence never had succeeded in triumphing over that humiliated,
taciturn nature, indifferent to everything, and, in some sense,
irresponsible. Having passed her life with no knowledge of business, she
had become rich without knowing it and without the slightest desire
to take advantage of it. Her fine apartments in Paris, her father’s
magnificent chateau, made her uncomfortable. She occupied as small
a place as possible in both, filling her life with a single passion,
order--a fantastic, abnormal sort of order, which consisted in brushing,
wiping, dusting, and polishing the mirrors, the gilding and the
door-knobs, with her own hands, from morning till night.
When she had nothing else to clean, the strange woman would attack her
rings, her watch-chain, her brooches, scrubbing the cameos and pearls,
and, by dint of polishing the combination of her own name and her
husband’s, she had effaced all the letters of both. Her fixed idea
followed her to Savigny. She picked up dead branches in the paths,
scratched the moss from the benches with the end of her umbrella, and
would have liked to dust the leaves and sweep down the old trees; and
often, when in the train, she looked with envy at the little villas
standing in a line along the track, white and clean, with their gleaming
utensils, the pewter ball, and the little oblong gardens, which resemble
drawers in a bureau. Those were her ideal of a country-house.
Public-domain text, read in full here on John Shaqi.
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