French fiction -- Translations into English; Paris (France) -- Fiction
The bride had long wished to take her leave. At last she disappeared
with Risler and Madame Chebe. As for Monsieur Chebe, who had recovered
all his importance, it was impossible to induce him to go. Some one must
be there to do the honors, deuce take it! And I assure you that the
little man assumed the responsibility! He was flushed, lively,
frolicsome, noisy, almost seditious. On the floor below he could be
heard talking politics with Vefour's headwaiter, and making most
audacious statements.
Through the deserted streets the wedding-carriage, the tired coachman
holding the white reins somewhat loosely, rolled heavily toward the
Marais.
Madame Chebe talked continuously, enumerating all the splendors of that
memorable day, rhapsodizing especially over the dinner, the commonplace
menu of which had been to her the highest display of magnificence.
Sidonie mused in the darkness of the carriage, and Risler, sitting
opposite her, even though he no longer said, "I am very happy," continued
to think it with all his heart. Once he tried to take possession of a
little white hand that rested against the closed window, but it was
hastily withdrawn, and he sat there without moving, lost in mute
admiration.
They drove through the Halles and the Rue de Rambuteau, thronged with
kitchen-gardeners' wagons; and, near the end of the Rue des Francs-
Bourgeois, they turned the corner of the Archives into the Rue de Braque.
There they stopped first, and Madame Chebe alighted at her door, which
was too narrow for the magnificent green silk frock, so that it vanished
in the hall with rustlings of revolt and with all its folds muttering.
A few minutes later, a tall, massive portal on the Rue des Vieilles-
Haudriettes, bearing on the escutcheon that betrayed the former family
mansion, beneath half-effaced armorial bearings, a sign in blue letters,
Wall Papers, was thrown wide open to allow the wedding-carriage to pass
through.
Thereupon the bride, hitherto motionless and like one asleep, seemed to
wake suddenly, and if all the lights in the vast buildings, workshops or
storehouses, which surrounded the courtyard, had not been extinguished,
Risler might have seen that pretty, enigmatical face suddenly lighted by
a smile of triumph. The wheels revolved less noisily on the fine gravel
of a garden, and soon stopped before the stoop of a small house of two
floors. It was there that the young Fromonts lived, and Risler and his
wife were to take up their abode on the floor above. The house had an
aristocratic air. Flourishing commerce avenged itself therein for the
dismal street and the out-of-the-way quarter. There was a carpet on the
stairway leading to their apartment, and on all sides shone the gleaming
whiteness of marble, the reflection of mirrors and of polished copper.
Public-domain text, read in full here on John Shaqi.
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