French fiction -- Translations into English; Paris (France) -- Fiction
At that moment the door opens and "Mademoiselle Planus" is announced.
She is the cashier's sister, a poor old maid, humble and modest, who has
made it her duty to make this call upon the wife of her brother's
employer, and who is amazed at the warm welcome she receives. She is
surrounded and made much of. "How kind of you to come! Draw up to the
fire." They overwhelm her with attentions and show great interest in her
slightest word. Honest Risler's smiles are as warm as his thanks.
Sidonie herself displays all her fascinations, overjoyed to exhibit
herself in her glory to one who was her equal in the old days, and to
reflect that the other, in the room below, must hear that she has had
callers. So she makes as much noise as possible, moving chairs, pushing
the table around; and when the lady takes her leave, dazzled, enchanted,
bewildered, she escorts her to the landing with a great rustling of
flounces, and calls to her in a very loud voice, leaning over the rail,
that she is at home every Friday. "You understand, every Friday."
Now it is dark. The two great lamps in the salon are lighted. In the
adjoining room they hear the servant laying the table. It is all over.
Madame Fromont Jeune will not come.
Sidonie is pale with rage.
"Just fancy, that minx can't come up eighteen steps! No doubt Madame
thinks we're not grand enough for her. Ah! but I'll have my revenge."
As she pours forth her wrath in unjust words, her voice becomes coarse,
takes on the intonations of the faubourg, an accent of the common people
which betrays the ex-apprentice of Mademoiselle Le Mire.
Risler is unlucky enough to make a remark.
"Who knows? Perhaps the child is ill."
She turns upon him in a fury, as if she would like to bite him.
"Will you hold your tongue about that brat? After all, it's your fault
that this has happened to me. You don't know how to make people treat me
with respect."
And as she closed the door of her bedroom violently, making the globes on
the lamps tremble, as well as all the knick-knacks on the etageres,
Risler, left alone, stands motionless in the centre of the salon, looking
with an air of consternation at his white cuffs, his broad patent-leather
shoes, and mutters mechanically:
"My wife's reception day!"
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