French fiction -- Translations into English; Paris (France) -- Fiction
Frantz looked about in some bewilderment. In the distance, opening on a
porch surrounded by vases of flowers, was the salon with its long blinds
raised. An American easy-chair, folding-chairs, a small table from which
the coffee had not been removed, could be seen near the door. Within
they heard a succession of loud chords on the piano and the murmur of low
voices.
"I tell you Sidonie will be surprised," said honest Risler, walking
softly on the gravel; "she doesn't expect me until tonight. She and
Madame Dobson are practising together at this moment."
Pushing the door open suddenly, he cried from the threshold in his loud,
good-natured voice:
"Guess whom I've brought."
Madame Dobson, who was sitting alone at the piano, jumped up from her
stool, and at the farther end of the grand salon Georges and Sidonie rose
hastily behind the exotic plants that reared their heads above a table,
of whose delicate, slender lines they seemed a prolongation.
"Ah! how you frightened me!" said Sidonie, running to meet Risler.
The flounces of her white peignoir, through which blue ribbons were
drawn, like little patches of blue sky among the clouds, rolled in
billows over the carpet, and, having already recovered from her
embarrassment, she stood very straight, with an affable expression and
her everlasting little smile, as she kissed her husband and offered her
forehead to Frantz, saying:
"Good morning, brother."
Risler left them confronting each other, and went up to Fromont Jeune,
whom he was greatly surprised to find there.
"What, Chorche, you here? I supposed you were at Savigny."
"Yes, to be sure, but--I came--I thought you stayed at Asnieres Sundays.
I wanted to speak to you on a matter of business."
Thereupon, entangling himself in his words, he began to talk hurriedly of
an important order. Sidonie had disappeared after exchanging a few
unmeaning words with the impassive Frantz. Madame Dobson continued her
tremolos on the soft pedal, like those which accompany critical
situations at the theatre.
In very truth, the situation at that moment was decidedly strained.
But Risler's good-humor banished all constraint. He apologized to his
partner for not being at home, and insisted upon showing Frantz the
house. They went from the salon to the stable, from the stable to the
carriage-house, the servants' quarters, and the conservatory. Everything
was new, brilliant, gleaming, too small, and inconvenient.
"But," said Risler, with a certain pride, "it cost a heap of money!"
He persisted in compelling admiration of Sidonie's purchase even to its
smallest details, exhibited the gas and water fixtures on every floor,
the improved system of bells, the garden seats, the English billiard-
table, the hydropathic arrangements, and accompanied his exposition with
outbursts of gratitude to Fromont Jeune, who, by taking him into
partnership, had literally placed a fortune in his hands.
Public-domain text, read in full here on John Shaqi.
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