Frondes Agrestes: Readings in 'Modern Painters'Ruskin, John
Philosophy
Frondes Agrestes: Readings in 'Modern Painters'
Ruskin, John
Art; Painting
29. Stand for half an hour beside the fall of Schaffhausen, on the
north side, where the rapids are long, and watch how the vault of
water first bends unbroken, in pure polished velocity, over the
arching rocks at the brow of the cataract, covering them with a dome
of crystal twenty feet thick, so swift that its motion is unseen
except when a foam globe from above darts over it like a falling star;
and how the trees are lighted above it under all their leaves,[19] at
the instant that it breaks into foam; and how all the hollows of that
foam burn with green fire like so much shattering chrysoprase; and
how, ever and anon startling you with its white flash, a jet of spray
leaps hissing out of the fall, like a rocket, bursting in the wind and
driven away in dust, filling the air with light; and how through the
curdling wreaths of the restless crashing abyss below, the blue of the
water, paled by the foam in its body, shows purer than the sky through
white rain-cloud, while the shuddering iris stoops in tremulous
stillness over all, fading and flushing alternately through the
choking spray and shattered sunshine, hiding itself at last among the
thick golden leaves which toss to and fro in sympathy with the wild
water,--their dripping masses lifted at intervals, like sheaves of
loaded corn, by some stronger gush from the cataract, and bowed again
upon the mossy rocks as its roar dies away,--the dew gushing from
their thick branches through drooping clusters of emerald herbage, and
sparkling in white threads along the dark rocks of the shore, feeding
the lichens, which chase and chequer them with purple and silver.
[19] Well noticed. The drawing of the fall of Schaffhausen, which I made
at the time of writing this study, was one of the very few, either by
other draughtsmen or myself, which I have seen Turner pause at with
serious attention.
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