Frondes Agrestes: Readings in 'Modern Painters'Ruskin, John
Philosophy
Frondes Agrestes: Readings in 'Modern Painters'
Ruskin, John
Art; Painting
What space of time was in reality occupied by the "day" of Genesis, is
not at present of any importance for us to consider. By what furnaces
of fire the adamant was melted, and by what wheels of earthquake it
was torn, and by what teeth of glacier and weight of sea-waves it was
engraven and finished into its perfect form, we may, perhaps,
hereafter endeavour to conjecture; but here, as in few words the work
is summed by the historian, so in few broad thoughts it should be
comprehended by us; and, as we read the mighty sentence, "Let the dry
land appear," we should try to follow the finger of God as it engraved
upon the stone tables of the earth the letters and the law of its
everlasting form, as gulf by gulf the channels of the deep were
ploughed; and cape by cape the lines were traced with Divine
foreknowledge of the shores that were to limit the nations; and chain
by chain the mountain walls were lengthened forth, and their
foundations fastened for ever; and the compass was set upon the face
of the depth, and the fields and the highest part of the dust of the
world were made; and the right hand of Christ first strewed the snow
on Lebanon, and smoothed the slopes of Calvary.
It is not, I repeat, always needful, in many respects it is not
possible, to conjecture the manner or the time in which this work was
done; but it is deeply necessary for all men to consider the
magnificence of the accomplished purpose, and the depth of the wisdom
and love which are manifested in the ordinances of the hills. For
observe, in order to bring the world into the form which it now bears,
it was not mere _sculpture_ that was needed; the mountains could not
stand for a day unless they were formed of materials altogether
different from those which constitute the lower hills, and the
surfaces of the valleys. A harder substance had to be prepared for
every mountain chain, yet not so hard but that it might be capable of
crumbling down into earth fit to nourish the Alpine forest, and the
Alpine flower; not so hard but that in the midst of the utmost majesty
of its enthroned strength there should be seen on it the seal of
death, and the writing of the same sentence that had gone forth
against the human frame, "Dust thou art, and unto dust shalt thou
return." And with this perishable substance the most majestic forms
were to be framed that were consistent with the safety of man; and the
peak was to be lifted and the cliff rent, as high and as steeply as
was possible, in order yet to permit the shepherd to feed his flocks
upon the slopes, and the cottage to nestle beneath their shadow. And
observe, two distinct ends were to be accomplished in doing this. It
was, indeed, absolutely necessary that such eminences should be
created, in order to fit the earth in any wise for human habitation;
for without mountains the air could not be purified, nor the flowing
of the rivers sustained, and the earth must have become for the most
part plain, or stagnant marsh.
Public-domain text, read in full here on John Shaqi.
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