Frondes Agrestes: Readings in 'Modern Painters'Ruskin, John
Philosophy
Frondes Agrestes: Readings in 'Modern Painters'
Ruskin, John
Art; Painting
[1] The reader must observe, that having been thoroughly disciplined in
the Evangelical schools, I supposed myself, at four-and-twenty, to know
all about the ordinances of the Almighty. Nevertheless, the practical
contents of the sentence are good; if only they are intelligible, which
I doubt.
5. A great Idealist never can be egotistic. The whole of his power
depends upon his losing sight and feeling of his own existence, and
becoming a mere witness and mirror of truth, and a scribe of
visions,--always passive in sight, passive in utterance, lamenting
continually that he cannot completely reflect nor clearly utter all he
has seen,--not by any means a proud state for a man to be in. But the
man who has no invention is always setting things in order,[2] and
putting the world to rights, and mending, and beautifying, and pluming
himself on his doings, as supreme in all ways.
[2] I am now a comic illustration of this sentence, myself. I have not a
ray of invention in all my brains; but am intensely rational and
orderly, and have resolutely begun to set the world to rights.
6. So far as education does indeed tend to make the senses delicate,
and the perceptions accurate, and thus enables people to be pleased
with quiet instead of gaudy colour, and with graceful instead of
coarse form; and by long acquaintance with the best things, to discern
quickly what is fine from what is common--so far acquired taste is an
honourable faculty, and it is true praise of anything to say it is "in
good taste." But,[3] so far as this higher education has a tendency to
narrow the sympathies and harden the heart, diminishing the interest
of all beautiful things by familiarity, until even what is best can
hardly please, and what is brightest hardly entertain,--so far as it
fosters pride, and leads men to found the pleasure they take in
anything, not on the worthiness of the thing, but on the degree in
which it indicates some greatness of their own, (as people build
marble porticoes, and inlay marble floors, not so much because they
like the colours of marble, or find it pleasant to the foot, as
because such porches and floors are costly, and separated in all human
eyes from plain entrances of stone and timber);--so far as it leads
people to prefer gracefulness of dress, manner, and aspect, to value
of substance and heart, liking a well-_said_ thing better than a true
thing, and a well-trained manner better than a sincere one, and a
delicately-formed face better than a good-natured one,--and in all
other ways and things setting custom and semblance above everlasting
truth;--so far, finally, as it induces a sense of inherent distinction
between class and class, and causes everything to be more or less
despised which has no social rank, so that the affection, pleasure,
and grief of a clown are looked upon as of no interest compared with
the affection and grief of a well-bred man;--just so far, in all these
several ways, the feeling induced by what is called "a liberal
Public-domain text, read in full here on John Shaqi.
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