Frondes Agrestes: Readings in 'Modern Painters' — John Shaqi
Frondes Agrestes: Readings in 'Modern Painters'Ruskin, John
Philosophy
Frondes Agrestes: Readings in 'Modern Painters'
Ruskin, John
Art; Painting
The Rhone, under such
circumstances, would hardly be larger, in summer, than the Severn, and
many Swiss valleys would be left almost without moisture. All these
calamities are prevented by the peculiar Alpine structure which has
been described. The broken rocks and the sliding snow of the high
peaks, instead of being dashed at once to the vales, are caught upon
the desolate shelves, or shoulders, which everywhere surround the
central crests. The soft banks which terminate these shelves,
traversed by no falling fragments, clothe themselves with richest
wood, while the masses of snow heaped upon the ledge above them, in a
climate neither so warm as to thaw them quickly in the spring, nor so
cold as to protect them from all the power of the summer sun, either
form themselves into glaciers, or remain in slowly wasting fields even
to the close of the year,--in either case supplying constant,
abundant, and regular streams to the villages and pastures beneath,
and to the rest of Europe, noble and navigable rivers.
Now, that such a structure is the best and wisest possible,[25] is
indeed sufficient reason for its existence, and to many people it may
seem useless to question farther respecting its origin. But I can
hardly conceive any one standing face to face with one of these towers
of central rock, and yet not also asking himself, Is this indeed the
actual first work of the Divine Master, on which I gaze? Was the great
precipice shaped by His finger, as Adam was shaped out of the dust?
Were its clefts and ledges carved upon it by its Creator, as the
letters were on the tables of the law, and was it thus left to bear
its eternal testimony to His beneficence among these clouds of Heaven?
Or is it the descendant of a long race of mountains, existing under
appointed laws of birth and endurance, death and decrepitude? There
can be no doubt as to the answer. The rock itself answers audibly by
the murmur of some falling stone or rending pinnacle. It is _not_ as
it was once. Those waste leagues around its feet are loaded with the
wrecks of what it was. On these perhaps, of all mountains, the
characters of decay are written most clearly; around these are spread
most gloomily the memorials of their pride, and the signs of their
humiliation.
[25] Of course I had seen every other tried before giving this
favourable judgment.
What then were they once? The only answer is yet again--"Behold the
cloud!"
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