Frondes Agrestes: Readings in 'Modern Painters'Ruskin, John
Philosophy
Frondes Agrestes: Readings in 'Modern Painters'
Ruskin, John
Art; Painting
Let the reader consider seriously what he would give at any moment to
have the power of arresting the fairest scenes, those which so often
rise before him only to vanish; to stay the cloud in its fading, the
leaf in its trembling, and the shadows in their changing; to bid the
fitful foam be fixed upon the river, and the ripples be everlasting
upon the lake; and then to bear away with him no darkness or feeble
sun-stain, (though even that is beautiful,) but a counterfeit which
should seem no counterfeit--the true and perfect image of life indeed.
Or rather, (for the full majesty of such a power is not thus
sufficiently expressed,) let him consider that it would be in effect
nothing less than a capacity of transporting himself at any moment
into any scene--a gift as great as can be possessed by a disembodied
spirit; and suppose, also, this necromancy embracing not only the
present but the past, and enabling us seemingly to enter into the very
bodily presence of men long since gathered to the dust; to behold them
in act as they lived; but, with greater privilege than ever was
granted to the companions of those transient acts of life, to see them
fastened at our will in the gesture and expression of an instant, and
stayed on the eve of some great deed, in immortality of burning
purpose.--Conceive, so far as is possible, such power as this, and
then say whether the art which conferred it is to be spoken lightly
of, or whether we should not rather reverence, as half-divine, a gift
which would go so far as to raise us into the rank, and invest us with
the felicities, of angels.[7]
[7] Passage written in opposition to the vulgar notion that the 'mere
imitation' of Nature is easy, and useless.
11. I believe the first test of a truly great man is his humility. I
do not mean by humility, doubt of his own power, or hesitation of
speaking his opinions; but a right understanding of the relation
between what _he_ can do and say, and the rest of the world's sayings
and doings. All great men not only know their business, but usually
know that they know it; and are not only right in their main opinions,
but they usually know that they are right in them; only they do not
think much of themselves on that account. Arnolfo knows he can build a
good dome at Florence; Albert Durer writes calmly to one who has found
fault with his work,--"It cannot be better done;" Sir Isaac Newton
knows that he has worked out a problem or two that would have puzzled
anybody else; only they do not expect their fellow-men, therefore, to
fall down and worship them. They have a curious under-sense of
powerlessness, feeling that the greatness is not _in_ them, but
_through_ them--that they could not do or be anything else than God
made them; and they see something divine and God-made in every other
man they meet, and are endlessly, foolishly, incredibly merciful.
Public-domain text, read in full here on John Shaqi.
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