Frontier Humor in Verse, Prose and PictureCox, Palmer
General
Frontier Humor in Verse, Prose and Picture
Cox, Palmer
Canadian wit and humor
Besides, it was of a conical form, and as I looked upon it I thought
what an advantage it would have been to me in my younger days if I had
had some such thing in the barn-yard, over which to break pumpkins for
the cattle. I am certain a pumpkin or squash brought down upon such an
object with well-centred precision, would fly into as many fragments as
the Turkish Empire.
I was not the only person whose attention was arrested by that marvelous
development. If a diamond the size of a rutabaga had suddenly flashed,
the audience would scarcely have turned with greater haste to
contemplate its beauties than they did to regard that head the instant
the hat was removed.
It had such a smooth and polished surface that the actors, as they
passed back and forth upon the stage, were mirrored out upon it in
Liliputian proportions. The large globe light was reflected so perfectly
upon that glossy scalp that it shed a positive light to remote corners
of the auditorium; and a person would look first at the head, then up at
the globe, and then down at the head again, and _then_ hardly be
prepared to decide from which object the original rays of light
proceeded.
The musician had one original “turn” which afforded me much amusement.
At the commencement of a tune he would sit facing the stage, which was
proper enough; but as he proceeded he would turn by degrees until he was
sitting full face to the audience.
The gods in the gallery seemed to consider it their especial privilege
to pelt his head with peanuts; and when one would happen to hit—which
was quite often—it would bound and skip from the polished object in a
manner that would invariably bring down the house.
Standing as it did in bold relief from the dark panel-work and drapery
behind, it was a most excellent and inviting mark. Man though I am, with
the sobering cares of life closing gloomily around me, I actually
regretted I couldn’t try a shot at the old codger’s head myself.
It has been said “The king of Shadows loves a shining mark.” If this is
so, how that musician managed to escape the arrows so long is more than
I can understand. For many a year he certainly has presented a target
worthy the whole archery of the realm of Death.
The evening’s entertainment was made up of selections from Shakespeare’s
tragedies, “Macbeth,” and “Othello.”
[Illustration: MACBETH.]
Public-domain text, read in full here on John Shaqi.
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