California -- Social life and customs -- Fiction; Western stories
Flip's only response was to walk on toward the cabin, whence, with a
vague complimentary suggestion of "drop-in' in to pass the time o' day"
with her father, the Postmaster meekly followed.
The paternal Fairley, once convinced that his daughter's new companion
required no pecuniary or material assistance from his hands, relaxed to
the extent of entering into a querulous confidence with him, during
which Flip took the opportunity of slipping away. As Fairley had that
infelicitous tendency of most weak natures, to unconsciously exaggerate
unimportant details in their talk, the Postmaster presently became
convinced that the butcher was a constant and assiduous suitor of
Flip's. The absurdity of his sending parcels and letters by post when
he might bring them himself did not strike the official. On the
contrary, he believed it to be a masterstroke of cunning. Fired by
jealousy and Flip's indifference, he "deemed it his duty"--using that
facile form of cowardly offensiveness--to betray Flip.
Of which she was happily oblivious. Once away from the cabin, she
plunged into the woods, with the parcel swung behind her like a
knapsack. Leaving the trail, she presently struck off in a straight
line through cover and underbrush with the unerring instinct of an
animal, climbing hand over hand the steepest ascent, or fluttering like
a bird from branch to branch down the deepest declivity. She soon
reached that part of the trail where the susceptible Postmaster had
seen the fascinating unknown. Assuring herself she was not followed,
she crept through the thicket until she reached a little waterfall and
basin that had served the fugitive Lance for a bath. The spot bore
signs of later and more frequent occupancy, and when Flip carefully
removed some bark and brushwood from a cavity in the rock and drew
forth various folded garments, it was evident she used it as a sylvan
dressing-room. Here she opened the parcel; it contained a small and
delicate shawl of yellow China crèpe. Flip instantly threw it over her
shoulders and stepped hurriedly toward the edge of the wood. Then she
began to pass backward and forward before the trunk of a tree. At first
nothing was visible on the tree, but a closer inspection showed a large
pane of ordinary window glass stuck in the fork of the branches. It was
placed at such a cunning angle against the darkness of the forest
opening that it made a soft and mysterious mirror, not unlike a Claude
Lorraine glass, wherein not only the passing figure of the young girl
was seen, but the dazzling green and gold of the hillside, and the
far-off silhouetted crests of the Coast Range.
Public-domain text, read in full here on John Shaqi.
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