"You see!" he exclaimed, after going a couple of hundred yards with
Mathieu along the Boulevard de Grenelle, "it is that new house yonder at
the street corner. It has a stylish appearance, eh?"
Mathieu then perceived a lofty modern pile, ornamented with balconies and
sculpture work, which looked quite out of place among the poor little
houses predominating in the district.
"Why, it is a palace!" he exclaimed, in order to please Morange, who
thereupon drew himself up quite proudly.
"You will see the staircase, my dear fellow! Our place, you know, is on
the fifth floor. But that is of no consequence with such a staircase, so
easy, so soft, that one climbs it almost without knowing."
Thereupon Morange showed his guest into the vestibule as if he were
ushering him into a temple. The stucco walls gleamed brightly; there was
a carpet on the stairs, and colored glass in the windows. And when, on
reaching the fifth story, the cashier opened the door with his latchkey,
he repeated, with an air of delight: "You will see, you will see!"
Valérie and Reine must have been on the watch, for they hastened forward.
At thirty-two Valérie was still young and charming. She was a
pleasant-looking brunette, with a round smiling face in a setting of
superb hair. She had a full, round bust, and admirable shoulders, of
which her husband felt quite proud whenever she showed herself in a
low-necked dress. Reine, at this time twelve years old, was the very
portrait of her mother, showing much the same smiling, if rather longer,
face under similar black tresses.
"Ah! it is very kind of you to accept our invitation," said Valérie gayly
as she pressed both Mathieu's hands. "What a pity that Madame Froment
could not come with you! Reine, why don't you relieve the gentleman of
his hat?"
Then she immediately continued: "We have a nice light anteroom, you see.
Would you like to glance over our flat while the eggs are being boiled?
That will always be one thing done, and you will then at least know where
you are lunching."
Public-domain text, read in full here on John Shaqi.
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