Erect in the middle of the drawing-room, Constance listened, straining
her ears. Why was it that she heard nothing? How long they were in going
down to pick him up! Anxiously waiting for the tumult which she expected,
the clamor of horror which would assuredly rise from the works, the heavy
footsteps, the loud calls, she held her breath, quivering at the
slightest, faintest sound. Several minutes still elapsed, and the cosey
quietude of her drawing-room pleased her. That room was like an asylum of
_bourgeois_ rectitude, luxurious dignity, in which she felt protected,
saved. Some little objects on which her eyes lighted, a pocket
scent-bottle ornamented with an opal, a paper-knife of burnished silver
left inside a book, fully reassured her. She was moved, almost surprised
at the sight of them, as if they had acquired some new and particular
meaning. Then she shivered slightly and perceived that her hands were icy
cold. She rubbed them together gently, wishing to warm them a little. Why
was it, too, that she now felt so tired? It seemed to her as if she had
just returned from some long walk, from some accident, from some affray
in which she had been bruised. She felt within her also a tendency to
somnolence, the somnolence of satiety, as if she had feasted too
copiously off some spicy dish, after too great a hunger. Amid the fatigue
which benumbed her limbs she desired nothing more; apart from her
sleepiness all that she felt was a kind of astonishment that things
should be as they were. However, she had again begun to listen, repeating
that if that frightful silence continued, she would certainly sink upon a
chair, close her eyes, and sleep. And at last it seemed to her that she
detected a faint sound, scarcely a breath, far away.
What was it? No, there was nothing yet. Perhaps she had dreamt that
horrible scene, perhaps it had all been a nightmare; that man marching
on, that black pit, that loud cry of terror! Since she heard nothing,
perhaps nothing had really happened. Were it true a clamor would have
ascended from below in a growing wave of sound, and a distracted rush up
the staircase and along the passages would have brought her the news.
Then again she detected the faint distant sound, which seemed to draw a
little nearer. It was not the tramping of a crowd; it seemed to be a mere
footfall, perhaps that of some pedestrian on the quay. Yet no; it came
from the works, and now it was quite distinct; it ascended steps and then
sped along a passage. And the steps became quicker, and a panting could
be heard, so tragical that she at last divined that the horror was at
hand. All at once the door was violently flung open. Morange entered. He
was alone, beside himself, with livid face and scarce able to stammer.
"He still breathes, but his head is smashed; it is all over."
"What ails you?" she asked. "What is the matter?"
Public-domain text, read in full here on John Shaqi.
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