It was through Beauchêne, one of the shareholders of the shooting rights,
that Mathieu had made Séguin's acquaintance, and had discovered the old
hunting-box, the lonely, quiet pavilion, which had pleased him so much
that he had rented it. Valentine, who good-naturedly treated Marianne as
a poor friend, had even been amiable enough to visit her there, and had
declared the situation of the place to be quite poetical, laughing the
while over her previous ignorance of it like one who had known nothing of
her property. In reality she herself would not have lived there for an
hour. Her husband had launched her into the feverish life of literary,
artistic, and social Paris, hurrying her to gatherings, studios,
exhibitions, theatres, and other pleasure resorts--all those brasier-like
places where weak heads and wavering hearts are lost. He himself, amid
all his passion for show, felt bored to death everywhere, and was at ease
only among his horses; and this despite his pretensions with respect to
advanced literature and philosophy, his collections of curios, such as
the _bourgeois_ of to-day does not yet understand, his furniture, his
pottery, his pewter-work, and particularly his bookbindings, of which he
was very proud. And he was turning his wife into a copy of himself,
perverting her by his extravagant opinions and his promiscuous
friendships, so that the little devotee who had been confided to his
keeping was now on the high road to every kind of folly. She still went
to mass and partook of the holy communion; but she was each day growing
more and more familiar with wrong-doing. A disaster must surely be at the
end of it all, particularly as he foolishly behaved to her in a rough,
jeering way, which greatly hurt her feelings, and led her to dream of
being loved with gentleness.
When Mathieu entered the house, which displayed eight lofty windows on
each of the stories of its ornate Renaissance façade, he laughed lightly
as he thought: "These folks don't have to wait for a monthly pittance of
three hundred francs, with just thirty sous in hand."
The hall was extremely rich, all bronze and marble. On the right hand
were the dining-room and two drawing-rooms; on the left a billiard-room,
a smoking-room, and a winter garden. On the first floor, in front of the
broad staircase, was Séguin's so-called "cabinet," a vast apartment,
sixteen feet high, forty feet long, and six-and-twenty feet wide, which
occupied all the central part of the house; while the husband's bed and
dressing rooms were on the right, and those of the wife and children on
the left hand. Up above, on the second floor, two complete suites of
rooms were kept in reserve for the time when the children should have
grown up.
Public-domain text, read in full here on John Shaqi.
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