LEONÍD FYÓDORITCH. Yes, yes. But excuse me a moment. I should like to reply to Sergéy Ivánitch's question: How do we know we are in communication with the souls of the dead? We know it because the spirit that appears, plainly tells us--as simply as I am speaking to you--who he is, and why he has come, and whether all is well with him! At our last séance a Spaniard, Don Castillos, came to us, and he told us everything. He told us who he was, and when he died, and that he was suffering for having taken part in the Inquisition. He even told us what was happening to him at the very time that he was speaking to us, namely, that at the very time he was talking to us he had to be born again on earth, and, therefore, could not continue his conversation with us.... But you'll see for yourselves ... FAT LADY [interrupting] Oh, how interesting! Perhaps the Spaniard was born in one of our houses and is a baby now! LEONÍD FYÓDORITCH. Quite possibly. PROFESSOR. I think it is time we began. LEONÍD FYÓDORITCH. I was only going to say ... PROFESSOR. It is getting late. LEONÍD FYÓDORITCH. Very well. Then we will commence. Antón Borísitch, be so good as to hypnotise the medium. GROSSMAN. What method would you like me to use? There are several methods. There is Braid's system, there is the Egyptian symbol, and there is Charcot's system. LEONÍD FYÓDORITCH [to the Professor] I think it is quite immaterial. PROFESSOR. Quite. GROSSMAN. Then I will make use of my own method, which I showed in Odessa. LEONÍD FYÓDORITCH. If you please! Grossman waves his arms above Simon. Simon closes his eyes and stretches himself. GROSSMAN [looking closely at him] He is falling asleep! He is asleep! A remarkably rapid occurrence of hypnosis. The subject has evidently already reached a state of anæsthesia. He is remarkable,--an unusually impressionable subject, and might be subjected to interesting experiments!... [Sits down, rises, sits down again] Now one might run a needle into his arm. If you like ... PROFESSOR [to Leoníd Fyódoritch] Do you notice how the medium's trance acts on Grossman? He is beginning to vibrate. LEONÍD FYÓDORITCH. Yes, yes ... can the lights be extinguished now? SAHÁTOF. But why is darkness necessary? PROFESSOR. Darkness? Because it is a condition of the manifestation of mediumistic energy, just as a given temperature is a condition necessary for certain manifestations of chemical or dynamic energy. LEONÍD FYÓDORITCH. But not always. Manifestations have been observed by me, and by many others, both by candlelight and daylight. PROFESSOR [interrupting] May the lights be put out? LEONÍD FYÓDORITCH. Yes, certainly. [Puts out candles] Ladies and gentlemen! attention, if you please. Tánya gets from under the sofa and takes hold of a thread tied to a chandelier. PETRÍSTCHEF. I like that Spaniard! Just in the midst of a conversation--off he goes head downwards ... as the French say: _piquer une tête_.[13]