83. This motion which we have supposed to be around a vertical axis, we may equally suppose to take place around a horizontal axis. We shall then see in succession the two opposite sides, and the bases of the parallelopipedon with different appearances, according to their various positions; or, in other words, according to the angle formed by the planes and the visual ray. These appearances will help more and more to form the idea of the third dimension, which is not to be found in the primitive plane, and consequently to supply what was wanted to constitute the idea of a solid. 84. Just as we have supposed the eye fixed and the object movable, we may suppose the eye in motion and the object immovable. The result is the same; for, it is evident that if the eye should move around the parallelopipedon, now vertically, and now horizontally, it would experience the same sensations as when it was quiet, and the parallelopipedon moved. Thus, although we suppose the subject wholly deprived of the sense of touch, so as to be unable to perceive its own motion, it can still form the idea of solid by the impressions of sight alone. True, it could distinguish which moved, the eye or the object, but this does not interfere with the formation of the idea composed of the three dimensions. CHAPTER XV. SIGHT AND MOTION. 85. I said that the observer could not distinguish between his own motion and that of the object; sight alone can not give us a true idea of motion. Thus in a boat, although we are certain that we are moving, the motion seems to us to be in the objects along the shore. Also if the motion of the object and that of the observer are simultaneous, in the same direction, and with the same velocity, all appearance of motion is lost. But if there are two objects, one of which moves in the same direction as ourselves, and the other in the opposite direction, we perceive only the latter. Thus in a canal boat, the horse which walks on the bank in the same direction which the boat follows, seems to move without advancing. Of the two motions of the horse, we perceive only the vertical, the horizontal escapes us. The reason of this is clear, we can judge the object only by our impressions. When the impression varies, we have the idea of motion; but not otherwise. When the object or the eye is in motion, there is a succession of impressions on the retina, from which the idea of motion arises. But if the motion of the eye accompanies the motion of the object, one cancels the other, the impression on the retina is constant, and the object does not seem to move.