Furnishing the Home of Good Taste: A Brief Sketch of the Period Styles in Interior Decoration with Suggestions as to Their Employment in the Homes of TodayThroop, Lucy Abbot
History
Furnishing the Home of Good Taste: A Brief Sketch of the Period Styles in Interior Decoration with Suggestions as to Their Employment in the Homes of Today
Throop, Lucy Abbot
Interior decoration
The Georgian period seems especially fitted for use in our homes, for it
was the inspiration of our Colonial houses and furniture, which we
adapted and made our own in many ways. The best examples of Colonial
architecture are found in the thirteen original states. In many of these
houses we find an almost perfect sense of proportion, of harmony and
balance, of dignity, and a spaciousness and sense of hospitality, which
few of our modern houses achieve. The halls were broad and often went
directly through the house, giving a glimpse of the garden beyond; the
stairs with their carefully thought-out curve and sweep and well placed
landings, gave at once an air of importance to the house, while the
large rooms opening from the hall, with their white woodwork, their
large fireplaces, and comfortable window-seats, confirmed the
impression.
It is to this ideal of simple and beautiful elegance that many people
are turning. By simplicity I do not mean poverty of line and decoration,
but the simplicity given by the fundamental lines being simple and
beautiful with decoration which enhances their charms, but does not
overload them. Even the most elaborate Adam room with its exquisite
painted furniture, its beautifully designed mantel and ceiling and
paneled walls, gave the feeling of delightful and beautiful simplicity.
This same feeling is expressed in the furniture of Louis XVI, for no
matter how elaborate it may be, it is fundamentally simple, but with a
warmer touch than is found in the English furniture of the same time.
The question of period furnishing has two sides, and by far the more
delightful side is the one of having originals. There is a glamor about
old furniture, a certain air of fragility, although in reality it is
usually much stronger than most of our modern factory output, which adds
to the charm. With furniture, as with people, breeding will out. When
one has inherited the furniture, the charm is still greater, for it is
pleasant to think of one's own ancestors as having used the chairs and
tables, and danced the stately minuet, with soft candle-light falling
from the candelabra, and the great logs burning on the old brass
andirons. But if one cannot have one's own family traditions, the next
best thing is to have furniture with some other family's traditions,
and the third choice is to have the best modern reproductions, and build
up one's own traditions oneself.
Public-domain text, read in full here on John Shaqi.
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