Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
The movement was so unanimous that Red Cutt was frightened. He had no
desire to go out to that airplane in the dark. He remembered a negro who
had come to a little town where he had lived once and had pretended to
be able to walk on the water. He posed as a divine healer, and a
frequently made statement was: “I kin walk on de water, but I don’t want
to.” Thereupon some skeptical negroes had carried him down to the banks
of the Mississippi and tossed him headlong into the yellow stream,
insisting that he give them a demonstration of his ability to do what he
said he could do. They had fished this divine healer out of the river
with a hook and rolled him on a barrel for an hour before he showed the
least sign of returning consciousness. Red Cutt was appalled by the
thought of what might happen to him if that mob of negroes insisted upon
his giving a trial flight.
“Come on, niggers!” Vinegar Atts bellowed. “Less go out an’ see de
flyin’-machine!”
Three hundred negroes moved their feet as one man. Hitch Diamond laid
his hand upon the arm of Red Cutt about as a policeman would put a man
under arrest. Vinegar stepped forward and got on the other side of the
aviator, and they conducted him down the rickety stairs of the lodge
room and led the procession that formed in a straggling line in the
middle of the sandy street.
It was a night in which the moon shone in all its glory—such a moon as
glows over the Louisiana swamps when the humidity of the atmosphere
seems to focus the rays in startling brightness on every object. The
negro is like a cat, sleepy and dull during the day; but he wakes up at
night, and is a prowler in the streets and woods and fields. It was four
miles to the Little Moccasin prairie, but that tramping crowd of men
thought nothing of that, and as they marched they sang, keeping step to
music that carried echoes of the African jungle, and those minor tones
which are characteristic of all people who have been enslaved since the
ancient days when subjugated Israel in the land of Egypt “hung their
harps on the willows.”
“Look here, niggers,” Red said to Vinegar and Hitch. “Dis is not de
proper night to take a ride in a airplane. De moon is shining too dang
bright. Ef I git up fawty thousand foots in de air, an’ look down at the
yearth in dis moonlight, eve’ything below me would look like a smooth
sheet of white paper. I never would know whar I come from, an’ I
wouldn’t know whar to land, an’ I might drif’ off, whar nobody never
could find me, an’ whar I cain’t never git back here.”
“We don’t want nothin’ like dat,” Hitch Diamond growled. “We cain’t
affode to lose you.”
“Ef dese niggers insist on me takin’ a ride, how is we gwine prevent
it?” Red Cutt inquired.
“I’ll tell you,” Vinegar replied. “When we gits out whar de airship is
at, I’ll make ’em a speech.”
Public-domain text, read in full here on John Shaqi.
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