Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
In an hour they reached that point in the Little Moccasin prairie where
the airplane rested on the smooth short grass. When they approached that
wonder-mechanism of man’s hand and brain, the negroes became reverently
silent, and yet that silence was vocal with the weird, nerve-racking
funereal sounds of the swamp. Great bullfrogs bellowed like
multitudinous lost cattle; a wildcat screamed like the tones of a woman
in great pain and fright; and the swamp wolves galloped to the edge of
the clearing and barked at them with all the annoying impertinence of
fice dogs.
Vinegar Atts did not like the looks of the airship. It was the first he
had ever seen, and it bore too much resemblance to a wasp, and looked
very much as if it might carry a dangerous stinger in its tail. With the
true orator’s instinct for dramatic effect, he looked around to find the
most impressive place for him to stand. Not at the tail, because that
might be dangerous; not at the sides, for wasp might flap its wings; so
he moved up in front and stood looking with great interest at a wheel of
paddles right in front of the machine. That did not look good to him,
either, so he backed off well out of range, and announced:
“Brudders of the Nights of Darkness lodge, as fer as I knows, dar ain’t
only two niggers in dis crowd dat ever seen one of dese things befo’,
but dis here chariot of fire ain’t no new thing. De Prophet Elijah went
up in one of ’em to heaven.”
“Bless Gawd!” a negro’s voice exclaimed reverently.
Then in his rich barytone voice, Vinegar Atts began to sing, and one by
one the voices of the negroes joined in:
“I rode on de sky,
Went up mighty high,
Nor did envy Elijah his seat;
My soul mounted higher
In a chariot of fire,
And the moon, it wus under my feet.”
In the melody of this song all the weird, jungle voices of the swamp
were silenced. It seemed as if every bird and beast stood still to
listen, and the Gulf breeze, playing over the fluted tree-tops, made a
beautiful, Eolian accompaniment to the rich African voices.
Startled eyes glanced up at that moon which rode majestically through
the still oceans of the sky, and the soul of every man was filled with
awe at the thought of having that globe of glowing yellow under his
brogan-shod feet. It was a thought to stir the Ethiopian soul to its
depths, laying hold upon the rich Oriental imagination, appealing to the
jungle heritage of superstition, and causing them to thrill with mingled
feelings of rapture and fear.
Vinegar Atts knew the value of the oratorical pause; he waited until the
sighing of the trees and the radiance of the moonbeams had touched even
the most stupid mind among them. And then in a deep, solemn voice he
continued:
Public-domain text, read in full here on John Shaqi.
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