Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
Skeeter arrived, looked at the machine, and listened to Red Cutt
explaining its uses and manipulations to the crowd. He saw Hitch
crawling around underneath, wiping the wheels with cotton, and
pretending to be very busy, while actually afraid to touch anything he
saw under there.
Skeeter decided that his place on the program was to be seated in the
machine. The negroes very eagerly lifted him up, and as he took his
place on the seat, he felt that he had reached the highest point of
prominence in his entire career.
Vinegar Atts, who had lingered too long at his Sunday dinner, was the
last to arrive, and when he rode up in his little automobile and saw
Skeeter Butts seated in the airplane like a king upon the throne, he was
glad, indeed, that he had been elected to the high office of observer.
He pushed his way through the crowd and bawled at Skeeter:
“Hey, Skeeter! I wants to set up dar wid you.”
“Dar ain’t no room to set wid me,” Skeeter announced. “Dar ain’t but one
seat, an’ I am in it.”
“But I got to set up dar! I’m de observer!” Vinegar howled.
Thereupon he clambered up into the machine, lifted Skeeter out of his
place, sat down on the seat himself, and let Skeeter sit on his knee!
At this point Hitch Diamond climbed out from under the airplane, stuck a
handful of dirty cotton waste into the bag that contained the rest of
the cotton, and tossed the bag into the lap of Skeeter.
“You two niggers put dis sack of cotton in the tool-box under de seat!”
Hitch Diamond bellowed.
“I cain’t find de tool-box,” Vinegar said.
“Well, put it under yo’ foots den,” Hitch told him. “Fer you got to take
dat sack of wipin’ cotton wharever you go.”
VII
THE SIGN OF AVIATORS
As the negroes had gone out toward the Little Moccasin Swamp, all of
them had passed a buggy that was moving at the slowest gait of the
horse. The driving lines were wrapped around the whip, the horse moved
sedately and slowly down the middle of the road. On the seat of the
buggy was a young man who seemed to be able to see nothing but the girl
who sat beside him; and if any other man had been blind to the presence
of that girl, it could have been said of him that he had no appreciation
of feminine beauty and loveliness. As the buggy passed the long,
straggling procession of negroes, there was one fact so striking that
the man asked:
“What are all these people wearing chicken feathers in their hats for?”
“I don’t know,” the girl answered. “Nobody can tell what a negro is
going to do.”
Public-domain text, read in full here on John Shaqi.
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title — John Shaqi
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