Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
It was summer time, growing time, with the cotton “laid by.” Not much
work to be done on the plantation and a great many days as well as
nights could be spent in town. His presence around the Gaitskill house
attracted no comment, for Mustard and his fat spouse had been associated
with the Gaitskill family since the day they were born. They were as
much of the place as the trees that grew on the lawn and their presence
was no more unusual.
Mustard, in the rôle of Hopey’s helper, contrived to run a great many
errands up and down the back stairs of the Gaitskill house, trying with
each trip to get closer to his luck-charm, at least close enough to see
it and to know that it was still there and safe. But he could never
muster quite enough courage to enter Miss Virginia Gaitskill’s private
room.
Saturday afternoon came, the afternoon when every negro in Louisiana who
can acquire a little money to spend when he gets to town, puts on his
best clothes and leaves the plantation.
Each village fills up with colored folks. Each darkey has his own idea
of what constitutes fine dress and on this parade he sees no reason for
wearing something showy without being able to show it. If he wears a red
undershirt he keeps his overshirt unbuttoned so the showy thing will
show. If he wears a pair of red socks, he keeps his trousers rolled up
nearly to his knees, and sometimes one can see a hundred negroes who
look like they are fixed for wading. If he possesses a colored
handkerchief, be sure to look for it in the upper pocket of his coat,
one corner sticking out!
If he has anything to sell, he brings it to town. Stock is auctioned
upon the street, horses are swapped, lies are exchanged, knives,
pistols, “gamblin’-hands,” conjures, and luck charms, all exchange
owners.
Mustard mingled with this crowd in gloomy preoccupation. His mind and
his heart were centered upon a green-plush box in the top dresser-draw
of a young lady’s boudoir—as inaccessible, so it seemed to him, as the
moon!
A number of men converged, forming a laughing crowd in front of the
court-house, and listened to the raucous voice of an auctioneer:
“Old Jinx” was for sale by auction.
“Gentlemen, this here is a mule that is known to everybody in this
parish. He’s got the legs on him and he’s got the bones on him, and he’s
got a good, sound mind in a good, sound body, both ripened by long years
of toil and experience. Some of you remember when Jinx first came to
Tickfall Parish, but none of you can remember how old Jinx is now and
how old he was when you first saw him. You can estimate the age of a cow
by the rings on her horns and the age of a tree by the concentric rings
on its trunk, and the age of a horse or mule by the teeth. But Jinx is
an exception to all rules. He’s a mystery. He has no pride of ancestry,
no hope of posterity, and his future is behind him. How much am I bid
for Jinx?”
There were guffaws of laughter and sly jokes passed among the men, but
there were no bidders.
Public-domain text, read in full here on John Shaqi.
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