Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
It took him a long time to muster the courage to go in. It was a pretty
room, with ferns and photographs and flowered cretonne, an old rosewood
bed of exquisite beauty of design, beside it a small electric lamp with
a rose-colored shade. Two windows, shaded by loosely hanging
rose-colored silk, a rosewood writing-desk. Mustard saw all this
unconsciously. His eyes were set upon the rosewood dressing-table
against the wall between the two windows. On the table lay a gold mesh
purse; beside the purse were three rings, whose gems could have bought
Mustard a barrel full of rabbit-feet!
Of all the treasures in that room, Mustard wanted the least valuable,
measured by pecuniary standards. If he had been dying of starvation, he
would not have stepped within that room to lay a thievish hand upon a
single object. But he had to have that rabbit-foot!
One step at a time, moving with fear and trembling, he started toward
the dressing-table. Frightened, he backed out into the hall again;
venturing once more, he got almost to the table, then backed again. He
stepped to the far end of the hall and looked anxiously down the back
steps, fearful that someone might have entered the kitchen. Then he
returned to the room, ventured, backed out, moved forward, moved
sidewise, hesitated, side-stepped, moved forward slowly and at last laid
his black, square-shaped, labor-hardened hand upon the beautiful white
scarf upon the dresser!
One of Orren Randolph Gaitskill’s favorite games was to play “Indian.”
This consisted in sneaking about the house in absolute silence, dodging
behind the doors, crawling under the beds and couches and tables if he
heard anyone approaching and when a suitable opportunity presented
itself, he would jump out upon some member of the household with a
blood-curdling yell!
Org was playing Indian now for a purpose. He was by no means sure that
his sister would approve his purchasing a mule for twelve dollars even
with his own money, and he planned to slip up to her room and get his
money out of his own purse in her dressing-table drawer without her
knowledge.
He noiselessly opened the front door and entered the reception room. As
he sneaked up the steps, his eyes came level with the floor of the
hallway above, he saw Mustard Prophet, backing and filling, giving a
ridiculous illustration of a steamboat trying to make a difficult
landing.
Great is the imagination of boyhood!
Org caught this thing in an instant: Here he was, a wild and savage
Indian slipping up upon a steamboat of pioneers while the boat was
trying to land upon the banks of the mighty Mississippi. Mustard
Prophet, backing and filling, moving up and moving back, was the
steamboat!
Mustard’s negro wife went into Miss Virginia’s room every day to
straighten up. Mustard helped Hopey around the house all the time. The
fact that Mustard was in the house, or even in his sister’s room, made
no difference to the boy. That part of it was all right.
Public-domain text, read in full here on John Shaqi.
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