Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
“Wash,” he said after a little conversation, “I understands dat you is
got a prize widder in dis show.”
The big black eyed Skeeter for a moment with suspicion. He took the time
to help himself to a big chew of tobacco before he answered, watching
Skeeter covertly all the time. At last he said:
“I ain’t heerd tell about dat. But I ain’t supprized none. I got all de
attrackshuns on dis Coon Island whut is.”
“Dey tells me dis widder is got a dead husbunt an’ five hundred
dollars,” Skeeter continued.
Wash dropped his plug of tobacco and stooped to pick it up. That Skeeter
had this information was not a surprise to him; it was a shock.
“Who mought dat widder be?” Wash asked.
“Sister Solly Skaggs,” Skeeter informed him.
“I knows her,” Wash groaned. “Fat—O Lawd! Ef dat gal wuster drap dead,
dey’d hab to git a mud-scow outen de river fer a coffin, an’ de only
hole in de groun’ big enough to put her in is Marse Tom’s sand pit. Dat
five hundred dollars don’t int’rust my mind, naw, suh, not at all, not
at all!”
“Don’t waste no time thinkin’ about it,” Skeeter sighed. “Pap Curtain is
done spoke fer it—de fat’s in de fire.”
“Which?” Wash Jones exclaimed in a tone that popped like a gun. “Pap
Curtain?”
“Pap done pulled de curtain down on de widder,” Skeeter assured him.
“Nobody else needn’t look at her charms.”
Wash Jones turned around three times, as if looking for some place to go
and practically undecided about what direction to choose.
Skeeter wandered on disconsolately and finally found himself beside the
old tabernacle. An aged man approached him. Skeeter looked for a place
to escape, but found no avenue of exit and stood his ground. The
venerable man was Popsy Spout.
“I don’t ketch on ’bout dis, Skeeter,” he said in the high, shrill
complaining voice of senility. “Dis here ain’t de place whut I thought
it wus. ’Tain’t de same place whut it uster be befo’ an’ endurin’ of de
war. When do de religium exoncises begin?”
“I dunno,” Skeeter answered. “Ax Wash Jones.”
“I axed him. Wash said ef de people wanted religium doin’s dey could
start ’em deyselfs,” Popsy whined. “Wash said he wus jes’ de servunt of
de people fer so much money per each people.”
“Dat’s right,” Skeeter laughed.
“I thought dey wus gwine hab preachin’ in dat ole tabernacle to-night,”
Pap complained. “Instid of dat, dey’s gwine had a dance fer a prize!
Yas, suh—whut do Gawd think of dat? A dance fer a prize?”
“I hopes dat Pap Curtain slips up an’ breaks bofe behime legs,” Skeeter
remarked bitterly.
“’Tain’t no use hopin’,” the old man chuckled. “Pap is like me—spry on
his legs fer a ole man. But Pap an’ me don’t favor dancin’. We been
talkin’ it over. I deespise a nigger dat dances. Ef any of my kin-folks
cuts a shuffle on dat flo’ dis night, dey ain’t no kinnery of mine no
more.”
“I ’speck I better go gib Figger a warnin’ right now,” Skeeter exclaimed
eagerly, glad to find a reason for departure.
Public-domain text, read in full here on John Shaqi.
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