In the days of the Chinese pilgrims there was a great stone pillar which
had been erected by King Asōka; but it had been struck by lightning,
and lay on the ground when they saw it, split in the middle. The pillar
with a perfectly preserved inscription by King Asōka stands close to the
temple. But the most striking proof of all is in the name Lumbini, or
Lummini, which is preserved to this day as Rummin Dei, the initial R of
Sanscrit being changed into L in the Magadhi language of the inscription.
So he who visits the Rummin Dei to-day knows of a certainty that he is
standing on the very spot where some twenty-five centuries ago Prince
Siddartha was born—he who was to found a religion which, above all
others, has, so far as numbers go, dominated mankind. For his disciples
have, indeed, been “as the stars of heaven and as the sand which is upon
the seashore.”
The years went on and the child grew in grace and beauty of mind and
body. His teachers were amazed at the precocity of his knowledge and
wisdom. Learning seemed to come to him by instinct, until at last one
of his masters said to him: “It is thou that art the Guru, not I.” His
stature and strength were phenomenal, qualities upon which tradition was
not slack in embroidering. Was he not sixteen, some say eighteen, feet
tall, and did he not toss a dead elephant over a moat with as great ease
as an ordinary strong man would fling a cat across a ditch?
But with all this he was a child of moods. At an age when other children
are careless of aught save their toys and their games, he would lose
himself in the solitude of the forests and remain wrapped in thought,
deep in meditation. The king, his father, who watched him narrowly,
perceived this, and felt that it boded no good for his own dynastic
ambition. He thought of the prophecy of the soothsayers, and had a
premonition that his son’s greatness would be spiritual rather than
temporal. He foresaw that, however much he might try to turn the boy’s
thoughts towards the world, his labour would be but vain.
Still, he would leave no stone unturned to win him over by the perfumed
softness of Oriental luxury to the pomp and pride of his rank. Three
palaces did he build for him, one for each of the three seasons of the
year—spring, summer and winter—and the plenishing of these was such as
would appeal to every æsthetic sense. The sweetest singers, the daintiest
dancers, were enlisted to brighten the life of the palaces. But against
all the spells of the enchantresses the young prince, already almost a
recluse, was as hard as adamant.
Public-domain text, read in full here on John Shaqi.
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