Chesterton, G. K. (Gilbert Keith), 1874-1936 -- Criticism and interpretation
interruptions due to argument and the police, the fight lasts several
weeks. Turnbull and MacIan fight in the back garden of the man from whom
they bought the swords,[1] until the police intervene. They escape the
police and gain the Northern Heights of London, and fight once more,
with a madness renewed and stimulated by the peace-making efforts of a
stray and silly Tolstoyan. Then the police come again, and are once more
outdistanced. This time mortal combat is postponed on account of the
sanguinolence of a casual lunatic who worshipped blood to such a
nauseating extent that the duellists deferred operations in order to
chase him into a pond. Then follows an interminable dialogue,
paradoxical, thoroughly Shavian, while the only two men in England to
whom God literally is a matter of life and death find that they begin to
regard the slaughter of one by the other as an unpleasant duty. Again
they fight and are separated. They are motored by a lady to the
Hampshire coast, and there they fight on the sands until the rising tide
cuts them off. An empty boat turns up to rescue them from drowning; in
it they reach one of the Channel Islands. Again they fight, and again
the police come. They escape from them, but remain on the island in
disguise, and make themselves an opportunity to pick a quarrel and so
fight a duel upon a matter in keeping with local prejudice. But Turnbull
has fallen in love. His irritatingly calm and beautiful devotee argues
with him on religion until he is driven to cast off his disguise. Then
the police are on his tracks again. A lunatic lends Turnbull and MacIan
his yacht and so the chase continues. But by this time Chesterton is
getting just a trifle bored. He realizes that no matter how many
adventures his heroes get into, or how many paradoxes they fling down
each other's throats, the end of the story, the final inevitable end
which alone makes a series of rapid adventures worth while, is not even
on the horizon. An element of that spurious mysticism already described
invades the book. It begins to be clear that Chesterton is trying to
drag in a moral somehow, if need be, by the hair of its head. The two
yachters spend two weeks of geographical perplexity and come to a
desert island. They land, but think it wiser, on the whole, to postpone
fighting until they have finished the champagne and cigars with which
their vessel is liberally stored. This takes a week. Just as they are
about to begin the definitive duel they discover that they are not upon
a desert island at all, they are near Margate. And the police are there,
too. So once more they are chased. They land in a large garden in front
of an old gentleman who assures them that he is God. He turns out to be
a lunatic, and the place an asylum. There follows a characteristic piece
of that abuse of science for which Chesterton has never attempted to
suggest a substitute. MacIan and Turnbull find themselves prisoners,
unable to get out. Then they dream dreams.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account